Kemper Norton
Wrong folk , drunktronic laments , granular pop , pagan death anthems , chirpy digitalis and electric crayon soundscapes. Cornwall's foremost slurtronic collective.
Wrong folk , drunktronic laments , granular pop , pagan death anthems , chirpy digitalis and electric crayon soundscapes. Cornwall's foremost slurtronic collective.
http://pyecorneraudio.bandcamp.com/
http://pyecorneraudio.wordpress.com/
British producer Martin Jenkins is also known as Pye Corner Audio Transcription Services, mixing the Radiohponic/library music sound, sometimes with a bit of post punk. Jenkins refers to himself as the mysterious and nameless Head Technician in most of his online profiles. Extra detail is taken to make the audio and visual elements hear and look worn and vintage.
‘For those amongst us who favour entertainment of a more ‘experimental’ nature, the Moon Wiring Club is as infamous and inevitable as cod-liver oil. One might say that no gentleman whose adventurous instincts have not been warmed and purged by what is on offer here, can hope for much future in the English-speaking world.’ Dame Priapus Fripps, 1936 Blank Workshop
MySpace
It's taken longer than expected for new set of Orgone Accumulators recordings to be released from the Fifth Neuro Orgone Research Department. New discoveries have been made in their building on the shores of Loch Ness. They have been busy translating alien communications from Sirius into a musical form that humans can understand for a while now. The two Orgone Accumulators EPs that have been published so far are the only publicly available examples.
Belgian synthscaper Hans Dens.
Black To Comm is an alias for Dekorder label owner Marc Richter's audio excursions. Richter creates his music using scratchy shellac and vinyl records, field recordings, a so called "kitchen gamelan," and more traditional instruments like organs, guitars, pianos and mbiras. The layering and hypnotic repetition of short loops from Psychedelia, Free Jazz, Vaudeville, and various other old recordings reveals alternative melodic dimensions not apparent in the source material.
Camella Lobo & Juan Mendez, a.k.a. Silent Servant.
Drenched in romanticism and soaked in themes of solitude, mortality and love,
Tropic of Cancer's music forms a strangely hypnotic connection with its listener.
Camella Lobo's majestic vocals, warmly cradled by waves of ascending synths,
plangent guitar, and foreboding beats, summon the listener into a world of dark
decadence and delicate beauty.
There are moments of genuine noise and terror on singer-songwriter Daughn Gibson's debut solo LP, All Hell, but not of the devil's-horns kind. Instead, the 31-year-old Carlisle, Pennsylvania, resident fashions ghostly, haunting country-ish ballads out of Christian gospel samples and looping audio software while his rich baritone narrates small-town tragedy.
Gibson's affinity for country music-- as well as the genre's cherished storytelling tradition-- began when he started driving trucks for a living nearly a decade ago.
David Vorhaus is an American-born classical bass player with a background in both physics and electronic engineering. He co-founded the band The White Noise in London in 1969 with Delia Derbyshire and Brian Hodgson.
Though Derbyshire and Hodgson left the group in the early 70s, Vorhaus continued to record under the name The White Noise. In 1969 The White Noise released the groundbreaking album An Electric Storm on Island Records. The album was created using a variety of tape manipulation techniques, and is notable for its early use of the first British synthesizer, the EMS Synthi VCS3.