TOPS is a Montréal-based four piece that fashions a hazy take on soft-rock under the spell of Stevie Nicks and Sadistic Mika Band. They record for Arbutus Records (home to Grimes, Sean Nicholas Savage, Tonstartssbandht, etc).
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Expensive Looks, the pseudonym for New York-based psych-pop bedroom producer Alec Feld, meld tropical garage breaks, shimmering visceral chants, and disco-edged house to kick back to the displays of natural forces and days of unparalleled euphoric ecstasy. Akin to creations of early garage titans and wonders transfused with codeine-soaked acid jams, the smoothly ethereal yet grimy sounds reveal the inner-workings of towering, crashing polar shifts.
L.A. native Henry Laufer, the 21-year-old producer better known as Shlohmo, is a lo-fi beat junkie and field-recording enthusiast, whose crackling, low-BPM compositions update Boards of Canada's filmstrip-soundtrack wooziness. An LA native, Laufer grew up listening to "stuff like DJ Shadow, Amon Tobin, M83 stuff with some sort of cinematic vision." He started making beats when he was 14, but "didn't really do it with any sort of purpose until I was like 17 or 18. That was also around the time he and his friends, already fans of Flying Lotus, discovered Low End Theory.
Imagine someone at the pub calling you ‘Madonna with a dick … but with the voice of Simon le Bon’. Would it rub you the wrong way? Would you give the messanger of said comment a cold hard stare with the evil eye? You betcha. Not Alex Aikiu though. That’s because it was told by none other than Nile Rodgers; legendary disco innovator with his band Chic and celebrated studio wiz for, amongst many others: Carly Simon, Diana Ross, Sister Sledge, David Bowie, Duran Duran and… Madonna.
Solo project of Elizabeth Walling. Find out more: www.gazelletwin.com
Camella Lobo & Juan Mendez, a.k.a. Silent Servant.
Drenched in romanticism and soaked in themes of solitude, mortality and love,
Tropic of Cancer's music forms a strangely hypnotic connection with its listener.
Camella Lobo's majestic vocals, warmly cradled by waves of ascending synths,
plangent guitar, and foreboding beats, summon the listener into a world of dark
decadence and delicate beauty.
ButterClock is a young Parisian who makes some great downtempo along the lines of The XX or Bat For Lashes. It’s atmospheric and slow and very French, though according to Facebook they’re a «gathering of creatures from Nevada». ButterClock takes you off on a blurred red wine coma of journey that leaves you curled up asleep in the back of a deserted theatre, the strains of the sub base from next doors club filtering through the dusty walls.
Further Notes Regarding Peel It
Peel another 40-hour-workweek off the stack gyrating in your hands. Strip it from the wad and make it drizzle on the sign twirler at the live-nude intersection - “We Buy Gold, We Sell Gold” the sign reads.
Peel the gold leaf off the holy headpiece, off the Temple Mount, off the Dome Rock. Lotto jackpots get shared.
Peel the radial Goodyear’s off pop’s Ford Exploder glazing doughnuts into every Texas lawn, sister. Peel the sod away, the drought sucks like a dry hump with two backs, brother.
Strange Talk is an indie synth-pop Melbourne band that formed in February 2010. The band has been writing an EP over 2010 and plans an official release later in the year. The band's sound has been heavily compared to Phoenix, Passion Pit and Cut Copy. In March 2011 it was anounced that their EP 'Strange Talk' will be released through Neon Gold / Sony on April 12, 2011