weird

KAKKMADDAFAKKA are somewhat of an anomaly in today's music scene. Their sound is almost impossible to categorise, containing elements from almost all the musical movements of the past century. But what else would expect from the latest band to emerge from the innovative Bergen music scene that produced Kings Of Convenience, Datarock, Royksopp and Casiokids. KAKKMADDAFAKKA have been thrilling crowds up and down Norway since 2004 with their on-stage party, which features up to ten persons, including a horn section and dancing choirboys.

ANCIENT HISTORY: Three years have passed since “Black Oni” (Ipecac Records). Four years since “Five Suns”(Cuneiform Records). The new album by Guapo is finally here and thus concludes the recondite triptych they set out to accomplish. Flux is not uncommon here, every record taking on new musical hues and offering disparate ideas and perspectives. However an upheaval in the line-up, which of recent years has been anchored by the trio of Daniel O’Sullivan, Matthew Thompson and David Smith, triggered a change in course when Thompson left the band just prior to the release of Black Oni in 2005.

Read more about Guapo on Last.fm.

[1] Belgian pioneers of ebm and minimalist electro-industrial. Also known as The Klinik. See also Dive, Sonar, Monolith. In 1985, Verhaeghen joined forces with two other bands, Absolute Body Control (with Dirk Ivens and Eric van Wonterghem), and "The Maniacs" (Sandy Nys) to form one "super group" Absolute Controlled Clinical Maniacs. This rather unwieldy name was soon dropped in favour of the shorter name "The Klinik". Nys soon left the band to form Hybryds, followed in 1987 by van Wonterghem, leaving The Klinik as the "classic" duo of Dirk Ivens and Marc Verhaeghen.

Hella began in 2001 in Sacramento, California as a two member band consisting of Zach Hill and Spencer Seim writing technically intricate music of a highly spastic nature. They play a blend of math rock and noise rock. On early albums, the band forged their classic sound, playing minimally arranged, abrasive instrumentals that still retain an idiosyncratic sense of melody. In 2005, the band expanded their live band by adding Dan Elkan on vocals, rhythm guitar, and synth and Jonathan Hischke on bass guitar.