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mashcore

Kettel

Kettel is Reimer Eising (born 1982), a self-described "elixir-brewing, camping-loving and musicmaking sorcerer-to-be." He is well-known for his playful, spontaneous melodies and organic folk sounds similar to Aphex Twin, Jega, and Plaid. Kettel has frequently performed live in his home country of the Netherlands, including at the Virus festival in Eindhoven, the Dutch Electronic Arts Festival in Rotterdam, and at Eurosonic and Noorderzon in his home town of Groningen. He has also collaborated on several projects of various remixes and compilations on his many record labels.

Read more about Kettel on Last.fm.

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Company Fuck

Company Fuck is a one-man noisecore karaoke explosion. CxFx works in his own distinctive sonic territory combining extreme vocal improvisation, digital noise, hacked electronics, and deliberate musical homage/parody. With no allegiance to one sound or scene, CxFx simultaneously plunders pirated pop music whilst also blowing apart the formulas of so-called 'underground' genres. CxFx often sounds like one man conjuring a million artists together for a bloody entangled mess of manic audio intercourse and copyright infringement. Nobody is safe from the CxFx treatment.

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Society Suckers

**The Society Suckers** make frantic, precisely arranged psychedelic pogo trash music. born out of a frustration with emotionless dance music, 1997's debut "Anti-carnivore" featured their trademark ultrahigh frequency melodies and precisely arranged hyper breakbeats, becoming a breakcore standard before the genre had a name. Their live shows blend focused turntable skills with emotionally charged gear tormenting - it's a manic combination of Breakcore opera, Rave hooks, pogo anthems and structural mayhem.

Read more about Society Suckers on Last.fm.

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Circle Takes the Square

Circle Takes the Square (often abbreviated CTTS) is a band from Savannah, Georgia, USA. The band formed in 2001 as a four-piece and after their first two releases they lost a guitarist but gained another in late 2004. What listeners tend to notice first about the band is the loud screaming of both male and female vocals that often function in a kind of call and response. Skillful, chaotic drumming coupled with intense, highly technical bass/guitar work have served to separate the band from most others in the screamo genre.

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