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The Extremes

The Extremes were Simon Baughen and Jerome Clough, right of picture. Primarily a recording band, they released: 'Eat My Dust' 45 (Liquid/Salome) in 1987; 'Car Crash Music' 12" (Violent Hour/Explode/PS/Salome/Valentine's Day)in 1988. 'Save me from the sun' appeared in 1989 as the B side to 'Scratch that Lightning', a 45 by Simon Baughen and the Extremists. Chris and Justine, left of picture, augmented the band for their debut gig, the infamous Rock Garden gig in May 1988.

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Julia Holter

Julia Shammas Holter is a classically-trained keytarist from Echo Park. After infiltrating Human Ear Music headquarters dressed as an intern, she wrote and recorded her own release on the label. Her music is witty, surreal and optimistic. She plays without sarcasm in the terrains that divide sentimentality, passion, and control. Her songs are written instinctively, and treated with an off-kilter fastidiousness, working orchestral variety from minimal instrumentation.

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Azalia Snail

AZALIA SNAIL
“An all-American original who reinvents pop craft””
John Payne, LA Weekly “Snail outdoes the classics and becomes a classic herself”
Piero Scaruffi, The History of Rock Music “the absolute queen of hypnotic, otherworldly benevolence….one of our most undervalued treasures”
Joe S. Harrington, MAGNET Azalia Snail has recorded 11 critically-acclaimed albums, gaining recognition as a pioneering force in the underground

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Conlon Nancarrow

Conlon Nancarrow (b. October 27, 1912, Texarkana - d. August 10, 1997, Mexico City) was an American-born composer who lived most of his life in Mexico. Nancarrow is remembered almost exclusively for the pieces he wrote for the player piano. He was one of the first composers to use musical instruments as mechanical machines, utilising their capacity to play complex polyrhythms at tempos far beyond human performance ability.

Read more about Conlon Nancarrow on Last.fm.

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Xray Eyeballs

"XRay Eyeballs is OJ and Carly (from NYC rockers Golden Triangle) new drum machine driven dark punk project. Bathed in reverb, low fi sheen, and weirdo grit, XRay Eyeballs sounds like two drifter kids covered in makeup and glitter trying to escape a dead city skyline proclaiming their love for each other as the world just passes them by. Creeped out and charming all at once. If the world died but the songs kept playing." - SDREED, Night-People Records

Read more about Xray Eyeballs on Last.fm.

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White Fence

White Fence's trippy, distortion-laced, psychedelic pop-influenced tunes (sounding, in other words, something along the lines of a warped cassette tape featuring The Left Banke or The Merry-Go-Round) are the brainchild of Timothy Presley (also a member of the like-minded groups Strange Boys and Darker My Love). The project's self-titled debut was released on the Woodsist label in the spring of 2010. For the project's next release, White Fence Is Growing Faith , Presley didn't change much. The January 2011 album follows the same sometimes goofy, always trippily tuneful template of the debut.

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Beyond the Wizard's Sleeve

Anonymity has become both a gift and a curse for the blogosphere — a “gift” for feeding our hunger, and a “curse” for, well, not informing us as to who is feeding us. Burial has the world eating out of his hand, picking and choosing various publications access and admitting truths like “only five people know I make tunes.” Argh. And then there are the artists that leave you a message that reads: “If you are wondering who we are, we will soon reveal all.. we are planning some wonderful all night parties, we wear belts with huge buckles and we play the best music ever.

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