the black acid band
The Black Acid Band’s sound is a misshapen Frankenstein brought to life by means of a furious, amp-melting collection of riffs that combine angular and awkward progression with a Stooges-flavoured raw power.
The Black Acid Band’s sound is a misshapen Frankenstein brought to life by means of a furious, amp-melting collection of riffs that combine angular and awkward progression with a Stooges-flavoured raw power.
Two groups currently record under the moniker AroarA: There is the "industrial-goth-hobo" husband-wife power duo of Broken Social Scene guitarist and Apostle Of Hustle frontman Andrew Whiteman and Ariel Engle, formed in 2011. The two plan on releasing an EP interpreting experimental poet Alice Notley's "In The Pines" with their own experimental somber-folk with programmed dance beats, presumably to be released this year. The band is also said to be working on their proper full-length album. Whiteman plays a fretless North African goatskin banjo and Engle plays a four-string cigar box guitar.
1. Side A is a (free) jazz trio, featuring reed player Ken Vandermark (US), pianist Havard Wiik (NOR) and drummer Chad Taylor (US). Their debut album - A New Margin - appeared in 2011 2. Side A are also a multi-awarded, platinum-certified band from the Philippines, best known for their romantic ballad Forevermore. The band formed in 1985, and performed at the Calesa Music Bar and Lounge at the Hyatt Regency, Pasay City between 1986 and 1989. In 1987 they recorded their first song, Eva Marie (written by Joey Benin) and in 1989 they recorded their first self-titled album.
Swedish progressive rock band. Formed in 1993 by veteran guitarist Roine Stolt as a touring band to support his solo album The Flower King, the band stayed together after the tour and has gone on to become one of the most prolific studio recording units in rock music of their era. In ten years it has released nearly 18 hours of music. The Flower Kings have seen frequent personnel changes. The original line-up for Stolt's solo album consisted of Stolt (vocals, electric guitar, bass, keyboards), Jamie Salazar (drums), and Hasse Fr
Alan Reed, from Glasgow in Scotland, is probably best known as the (former) vocalist in progressive rock band Pallas. He has also appeared on albums by Abel Ganz, Caamorra, Neo, Parzival's Eye and Strangers on a Train. He is currently working towards an album of his own material. When not working on music, Alan works as a journalist for BBC News. This has taken him to many 'interesting' places and led to quite complicated expenses claims. He currently lives in Surrey.
There are several artists with that name. 1) Praxis was an ever-changing musical project led by prolific producer Bill Laswell. Praxis combined elements of different musical genres such as funk, jazz, hip hop and heavy metal into highly improvised music. The band first appeared in 1992 with the critically acclaimed Transmutation (Mutatis Mutandis), Laswell, guitarist Buckethead, keyboardist Bernie Worrell and drummer Bryan ''Brain'' Mantia have defined the direction of the band over the last 15 years.
There are 3 bands and one Game with the name Evil Twin. 1) Evil Twin (Seattle, USA) Hard Rock / Punk influenced band from Seattle. Signed to Flotation Records in 2006. Main release: Radio Salvation (2007). (http://www.eviltwinrocks.com) 2) Evil Twin (Poland) Death Metal. Releases include To Your God (1999), An Erotic (2002), Villian (2003), and Dying Art of the Human (2004). (http://www.eviltwin.prv.pl) 3) Evil Twin (UK)
The Move evolved from several mid 1960s Birmingham based groups, including Carl Wayne & The Vikings, The Nightriders & The Mayfair Set. The group's name seems to refer to the move various members of these bands made to form the group. Beside Roy Wood, the original members of the Move were drummer Bev Bevan, bassist Chris "Ace" Kefford, vocalist Carl Wayne & guitarist Trevor Burton. Their first single, 'Night of Fear' was released in 1966 and was the first in a line of memorable hits penned chiefly by Roy Wood.
Idle Jack & the Big Sleep truely represents a culmination of varied and diverse musical styles and interests. This is particularly evident in the number of pidgeon holes that have been stuffed into lately by audience and reviewer alike. If you threw all of these comparisons together, you would probably come across an amalgam of Captain Beefheart, Pearl Jam, Radiohead, Pink Floyd, Muse(!?), Mogwai, The Doors(!!!) and a couple of others that can't be remembered (possibly because of their absurdity!).