dance punk | Musicosity

dance punk

Fire! Santa Rosa, Fire!

Fire! Santa Rosa, Fire! are a indie rock group from Adelaide, South Australia. They feature David Williams (vocals/guitar), Sam Stearne (drums), Caitlin Duff (vocals), Nathaniel Morse (guitar), Art Zinoviev (synth) and Josh Flavel (bass). Formed in 2006 into the vapid whirlpool era of fluro dance-punk, the quintet has since been impossible to pin down to any one sound or genre, opting for distinct stylistic strides between releases.

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Destruction Unit

Being the brainchild of Ryan Rousseau (Reatards, The Wongs, Tokyo Electron), Destruction Unit is a Sonoran Desert based psychedelic noise punk band. Having built a reputation for terrorizing crowds with sheer noise power and reckless behavior, they have been described as "a band who felt more like a horror movie than a band ... With guitars that were distorted beyond belief and acted more as auxiliary noise machines than instruments" (Transmission Entertainment) and "Suicide-meets-Chrome-meets-Hawkwind-meets-Screamers-meets-the-killer-last-scene-reveals-in-all-the-alien-episodes-of-The...

Read more about Destruction Unit on Last.fm.

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23 Skidoo

23 Skidoo cross , , , , and elements. The band had interests in martial arts, and drumming, Fela Kuti, The Last Poets, William S. Burroughs, as well as the emerging confluence of industrial music, and funk. 23 Skidoo was formed in North London, UK in 1979 as a post-punk trio. By 1980 they had grown into a quartet consisting of Fritz Catlin, Johnny Turnbull, Sam Mills and Patrick Griffiths.

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Sugar Army

'Summertime Heavy' is the second record from Sugar Army - out now through Permanent Records. Over the past few years, the band have released a critically acclaimed debut album & EP, with singles & videos from both releases dominating media all over Australia and finding support across international waters from UK print to US college radio. In that time they've supported Interpol & Smashing Pumpkins, opened the main stage of the Big Day Out, performed at many of the other major Australian summer festivals & toured relentlessly prior to the commencement of solid writing for the new album.

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The Balconies

It’s a birds and the bees sort of question… Or maybe a chicken or the egg sort of question… What came first the rosined violin strings, major falls, classical theory or the smashed guitars, split finger tips and sweaty bodies? To see the Balconies play is nothing short of grasping at science. Even when placed down neatly in a Petri dish underneath thumbs and forefingers – the DNA-code of their infectious pop hooks interweaved with classical sensibility and theory is hard to discern.

Read more about The Balconies on Last.fm.

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Heloise & The Savoir Faire

New York’s electro-rock outfit Heloise & The Savoir Faire released “Trash, Rats and Microphones” on April 26, 2008 via Simian Records (Elijah Wood’s new label and joint-venture with Yep Roc Records). With a live show described by Disorder Magazine as a “great big flying disco ball swerving through a relentless shower of pink glitter and synth-lasers,” Heloise & The Savoir Faire have gained popularity in the UK after making their TV debut on The Graham Norton Show and Channel 4's Friday Night Project.

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The New Cities

Blending the timeless tastiness of classic synth-pop to the intensity and dynamics of modern punk and the irrefutable rump mobilization of the recent dance-rock insurgence, the New Cities are primed to bring their own form of urban renewal to the Canadian pop-music scene and beyond as their first single, “Dead End Countdown,” hit radio waves in February, with the full album, "Lost In City Lights", released in May 2009.

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