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Apollo 18

Award-winning South Korean post-rock and post-hardcore act Apollo 18 formed in the summer of 2008 in the suburbs of Seoul. The trio released their debut EP, Red, in February 2009. In July 2009 they issued their [0] or The Blue Album full-length. Later that month, Apollo 18 performed at South Korea’s two largest summer rock festivals, the Jisan Valley Rock Festival and Incheon Pentaport Rock Festival. In September of 2009 they played at a pair of sold-out Tokyo gigs for Japanese indie label Zankyo Records fifth anniversary party.

Read more about Apollo 18 on Last.fm.

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My Friend The Chocolate Cake

Formed 1989 by David Bridie and Helen Mountfort (members of Not Drowning Waving) Like their former band, My Friend The Chocolate Cake's music can be seen to straddle the worlds of ambient and world music, with an emphasis on piano and violin-led acoustic music. Influences range from the obvious (such as Penguin Cafe Orchestra and Celtic folk music), to the less obvious (such as John Cale and Talk Talk).

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Tinpan Orange

Tinpan Orange have spent the past year making themselves at home in the live music venues and jazz clubs of Melbourne, sharing the stage with artists such as Renee Geyer, The Whitlams, Clare Bowditch, Deborah Conway, Pete Murray and Tim Rogers. Having enjoyed the success of their first independent album, Aroona Palace, Tinpan Orange are almost bursting at seams to lay down the next one, beginning recording in late October 2006. The evolution of the live Tinpan sound will be captured at its richest point yet.

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CatCall

Catcall’s sound omits whiffs of early Kate Bush, Grace Jones and Tom Tom Club but also stands next to contemporaries such as Santigold, The Knife and disco queen Glass Candy; her original style shows off a strong character, with beats and quirky melodies that quickly sublet their way into your brain 23-year old Catherine Kelleher (Sydney, Australia) cut her musical teeth as a teenager in DIY punk group Kiosk; a band famed for their polarizing and bratty no-wave noise sound but eventually discovered their pop sensibility within the aggression and urgency of punk rock.

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Snakadaktal

Snakadaktal are a band with flavour for the kids. They adore playing at tropical full moon dream parties.
All born from mothers, Snakadaktal grew up in different regions of Melbourne's streets. All these five hope for is to have fun and produce music that people can hum to. Boys there will be girls, girls there will be boys.

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Brothertiger

John Jagos began recording under the name Brothertiger in Toledo, OH during the summer of 2009. He began recording electronic music in 2006 as Monoteque, an experimental project characterized by tribal beats and pulsing synthesizers. Influenced heavily by the electronic sound of Brian Eno and M83, along with the experimental characteristics of Animal Collective, Caribou, and Yeasayer, Jagos recorded many tracks throughout the final half of 2009. After he released the Apache Feathers EP on the Modicum of Silence net-label, he soon began work on the Vision Tunnels EP.

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Shovels & Rope

Necessity is the mother of invention. Less is more. Make it work with what you've got. 2 Guitars, a junkyard drum kit (harvested from an actual garbage heap- adorned with tamborines, flowers and kitchen rags), a handful of harmonicas, voices, and above all.. songs. Cary Ann Hearst & Michael Trent prefer to keep it simple. They have cleverly managed to take 3 separate recording projects and combine them into 1 cohesive, folk rock, sloppy tonk, harmonized, loose but tight, streamlined audience killing machine.

Read more about Shovels & Rope on Last.fm.

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Dick Diver

There’s something in Melbourne, Australia fourpiece Dick Diver’s combination of widescreen Australian sweep, 70s New York punk edge and scratchy 90s indie rock that transcends influences to become truly rare and exciting. The band started out with guitarists Alastair McKay and Rupert Edwards sharing songwriting in a classic Forster & McLennan style, but have since opened up to contributions from wise-ass bassist Al Montfort (UV Race, Total Control) and laconic drummer Steph Hughes (Boomgates, Children Collide).

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