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less than 100000

The Good China

www.thegoodchina.com.au TGC are an energetic eight-piece from Melbourne, Australia. Their charming indie pop has made some people clap their hands, and some people sing, and some people dance and jump and scream at the top of their lungs. After a year in hiatus they're back with a new lineup and new recordings.

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Mieka Pauley

Mieka Pauley began as a solo artist in Boston. Her haunting voice and heartbreaking lyrics gained her more than a few fans, securing her bills with Citizen Cope, KT Tunstall, Natasha Bedingfield, Ben Kweller, Mason Jennings, John Legend, the Avett Brothers and many others. She won the first ever Starbucks Emerging Artist Award and the New York Songwriters Circle Songwriting Contest, and she was named Cosmopolitan Magazine's Fun Fearless Female Rockstar of the Year.

Read more about Mieka Pauley on Last.fm.

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Graham Parker & The Rumour

Graham Parker and the Rumour (led by British rock musician Graham Parker, with Brinsley Schwarz and Martin Belmont on guitars, Bob Andrews on keyboards, Andrew Bodnar on bass and Steve Goulding on drums) formed in the summer of 1975 in London, England, and began doing the rounds of the British pub rock scene. The band was also augmented at times by a four-man horn section known as The Rumour Brass: John "Irish" Earle (sax), Chris Gower (trombone), Dick Hanson (trumpet), and Ray Bevis (sax).

Read more about Graham Parker & The Rumour on Last.fm.

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Hazell Dean

From Wikipedia, the free encyclopedia: Career
She started her career in 1970s, but achieved a chart success in the 1980s working with the famous Stock Aitken Waterman team. Dean was elected three times as the 'Best Live Performer' by the Federation of American Dance Clubs (U.S.), and twice as a 'Best British Performer' by Club Mirror awards (UK). Her biggest hits, were "Whatever I Do" (A track originally recorded by Michael Prince called Dance Your Love Away, re-written by Stock Aitken Waterman because Hazell disliked the chorus) and "Who's Leaving Who" (a remake of the Anne Murray hit)...

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Ken Stringfellow

Ken Stringfellow is most widely known as Jon Auer's partner in the Seattle-based "power pop" group, The Posies, but is also a well-respected artist and producer in his own right. Ken's solo career began with the 1997 release, This Sounds Like Goodbye and the low-fi, experimental feel of this album was a departure from the richness of The Posies sound. His second solo release, Touched, had the misfortune of a September 11, 2001 street date and as a result, did not receive the attention it deserved.

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Summer Cats

Summer Cats are two girls and three boys from Melbourne, Australia. Like most people from Melbourne, they spend their time either: a) enjoying summer or b) waiting for summer to arrive. They play crash pop in an attempt to make you dance, so if you feel the urge...go right ahead! Musically they are somewhat of a cross between Stereolab and The Go-Betweens....or is that Talulah Gosh and The Left Banke?

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The All New Adventures of Us

The All New Adventures of Us (Tanaou, to their fans) are the kind of band it is impossible for anyone to hate. After minor changes over the years, the band has settled on its current line-up. The seven Adventurers (Paul Macefield, Phil Spry, Kate Williams, Chris Jones, Jaime C. Macefield, Gary Fleming and Nic Willes) combine eloquently to make musical and poetic harmony through the medium of song. As one member once stated, "No matter how simple or complex, songs are maps to places that people can't physically go, escape plans to take us away from the towns and cities that suffocate us."

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Pseudo Echo

Pseudo Echo were an Australian band. Formed in the early eighties by school friends Brian Canham (vocals, guitars, and keyboards) and Pierre Gigliotti (bass and keyboards), the band completed its lineup with Anthony Agiro (drums) and Tony Lugton (guitars and keyboards). Their first album Autumnal Park was an Ultravox-influenced album that yielded the Australian singles "Listening" (produced by Peter Dawkins) , "Stranger in Me", "Dancing Till Midnight", and "Beat for You". It was a mature album that gave little indication of their youth.

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