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Kerretta

This blistering instrumental three-piece from the hinterlands of Auckland, New Zealand has enchanted audiences with its rhythmic onslaught since 2006.
Described variously as “lead-heavy” with “sparse and beautiful” moments, the trio have carved out a unique brand of dark rock that is scattered with melodic hooks. Their catchy, sometimes ambient brand of molten-core will appeal to fans of Swans and Bailterspace, but discerning listeners will know the trio peddle a uniquely atmospheric take on angular rock.

Read more about Kerretta on Last.fm.

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Blindead

Blindead was founded in Gdynia, Poland in 1999 by Michal Zimorski (Zima) - bass and Mateusz Smierzchalski (Havoc) - guitar. Few months later, Marek Zielinski (Deadman) - guitar, Konrad Ciesielski - drums and Patryk Adamczyk - vocals, joined the band. It was a casual project made for pleasure rather than a professional band. Besides, in the same time, Havoc became the guitarist of Behemoth and it was his priority.

Read more about Blindead on Last.fm.

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Velveteen

There are 5 bands with the name Velveteen 1: A band from London formed in 2012 combining post-punk, surf and shoegaze sensibilities. Sun-kissed music and melody. Velveteen released their debut 'Wasteland EP' towards the end of 2012. 2: A four piece indie rock band from /Germany. In April 2008, the band's album Home Waters was used as an april's fools joke by the manager of Moving Mountains, telling it's a leaked version of Death Cab for Cutie's new album, Narrow Stairs. The joke was pretty much successful due to the band's similar sound.

Read more about Velveteen on Last.fm.

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Trixie Whitley

Born in Ghent- Belgium (June 24, 1987), in a family of artists, musicians and poets. She moved with her parents to New York when she was a year old. Since the tender age of 3 she grew up spending time in recording studio's in NYC (Electric Lady Land etc..) and in New Orleans (with Daniel Lanois) with her father Chris Whitley. After she moved back to Belgium with her mother she started playing drums at age 11.

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