hamburg | Musicosity

Saboteur

There are at least six artists/bands named "Saboteur": 1)
Saboteur harkens back to a day in the not too distant past when lyrical intelligence and musical proficiency was not the exception in punk rock. They blend the existing facets of their other musical projects with tough guy pop punk and socio-political lyrics. The songs are loud, well crafted and instantly quotable. Influences range from Gang of Four to Rocket From the Crypt, and they're recommended if you like those bands as well as The Clash, Alkaline Trio and Queens of the Stone Age.

The Trash

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Devastator

There are several bands called Devastator. There is a thrash/death metal Devastator from Newfoundland, Canada; thrash metal band Devastator from Malaysia; death metal Devastator from Poland; two American bands - one a black/thrash band from Florida and the other a speed metal band from California; thrash metal band from Italy and lastly a German death metal Devastator, for which the following biography was written.

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In Golden Tears

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Richard

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Blackie

More than one artist called Blackie: 1) Blackie real name is Peter Black and is guitarist and vocals for Aussie band Hard-Ons which are a punk rock band from Sydney that originally formed in 1981. They have been called Australia's most commercially successful independent band, with over 250,000 total record sales. In late 2010 He released his debut solo album called "Break Bread With The Mono Brows". 2) B L A C K I E german minimal synth/wave project, 1981

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tschilp

Tschilp is a Hamburg/Germany-based indie rock band. Members are Wibke (Guitar/Singer), Nina (Drums) and Kerstin (Bass/Singer).

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Black To Comm

Black To Comm is an alias for Dekorder label owner Marc Richter's audio excursions. Richter creates his music using scratchy shellac and vinyl records, field recordings, a so called "kitchen gamelan," and more traditional instruments like organs, guitars, pianos and mbiras. The layering and hypnotic repetition of short loops from Psychedelia, Free Jazz, Vaudeville, and various other old recordings reveals alternative melodic dimensions not apparent in the source material.

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