Indie Rock | Musicosity

Indie Rock

Hippys on the Hill

4 piece alternative rock band from Liverpool Brad - Vocals/Guitars
Craig - Guitars
Sean - Bass
Mike - Drums http://www.myspace.com/hippysonthehill “One listen to Hippys On The Hill and, like us at Classic Rock, you will probably be astounded to learn that the average age of this quartet is a mere 16 years old. But despite their tender age, this bunch are already veterans in their local area with a fiery brand of alternative, high voltage rock. Hippys On The Hill are more than worthy winners of Classic Rock magazine's Battle of the Bands.

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Dead Meadow

Dead Meadow met in the DC punk/indie scene, though their music draws from more faraway sources. The band formed in the fall of 1998 from the ashes of local bands The Impossible Five and Colour, when singer-guitarist Jason Simon, bassist Steve Kille, and drummer Mark Laughlin set out to fuse their love of early 70's hard rock and 60's psychedelia with their love of writers J.R.R. Tolkien and H.P. Lovecraft.

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Body Language

Busy saving the city from the brick wall arm crossing and the casual head nods, Brooklyn's own Body Language has risen from the DIY venue basements armed with the kinetic dynamite you would expect from the name. Their original music was born from weekly dance party remixes crafted by Grant Wheeler and Matt Young, and graced by the soul stylings of Ms. Angelica Bess. Their efforts, which illustrated their arrival into Brooklyn, were delivered in a five track EP called “Speaks".

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The Barracudas

This London-based Anglo-Canadian band, whose members include Jeremy Gluck (vocals), Robin Wills (guitar), David Buckley (bass), and Nick Turner (drums), was formed in 1979 and scored a U.K. chart hit in 1980 with the neo-surf song "Summer Fun." Turner and Buckley left after the release of the first album Drop Out With the Barracudas (1981) and were replaced by Jim Dickson and Terry Smith. Chris Wilson also joined on guitar.

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Concrete Blonde

Concrete Blonde is an alternative rock band dating from the early 1980s to the early 1990s (and re-formed again in the 2000s). They are best known for the poignant songwriting and vocals of Johnette Napolitano. Singer / songwriter / bassist Napolitano formed the band Dream 6 with guitarist James Mankey in Los Angeles in 1982, releasing an eponymous EP in France on the Happy Hermit label in 1983. When they signed with IRS in 1986, labelmate Michael Stipe suggested the name Concrete Blonde, describing the contrast between their hard rock music and introspective lyrics.

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Circle Takes the Square

Circle Takes the Square (often abbreviated CTTS) is a band from Savannah, Georgia, USA. The band formed in 2001 as a four-piece and after their first two releases they lost a guitarist but gained another in late 2004. What listeners tend to notice first about the band is the loud screaming of both male and female vocals that often function in a kind of call and response. Skillful, chaotic drumming coupled with intense, highly technical bass/guitar work have served to separate the band from most others in the screamo genre.

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Natasha Bedingfield

Natasha Bedingfield (born November 26, 1981) is a British singer, and sister of pop singer, Daniel Bedingfield. She also has a younger sister, Nikola Rachelle. Her debut single, "Single", was released in 2004, followed by the worldwide hit "These Words", which charted at #1 in the United Kingdom. She also released "Unwritten" and "I Bruise Easily" from the album, both of which were top 20 hits. Her debut album Unwritten went triple platinum in the UK, and has since found huge success in the USA.

Read more about Natasha Bedingfield on Last.fm.

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Bill Callahan

Bill Callahan (born 1966), also known as Smog and (Smog), is an American singer-songwriter born in Silver Spring, Maryland. Callahan began working in the lo-fi genre of underground rock, with home-made tape-albums recorded on four track tape recorders. Later he began releasing albums with the label Drag City, to which he remains signed today. Callahan started out as a highly experimental artist, using substandard instruments and recording equipment.

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