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Tetuzi Akiyama

Tetuzi Akiyama (秋山徹次) was born in Tokyo, April 13, 1964. Tetuzi Akiyama is a highly unique and experimental guitarist heavily applying free improvisation and noise. Besides guitar, he also plays electronics, viola, and self-made instruments. Akiyama became an enthusiastic hard rock fan when he was eleven years old, and started playing electric guitar at the age of thirteen. Later, he also came to be very interested in free improvisation and classical music.

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Roger Kleier

Roger Kleier is a composer, guitarist, and improviser who began playing electric guitar at age thirteen after discovering Captain Beefheart and Jimi Hendrix on the radio airwaves of Los Angeles. He studied composition at North Texas State University and the University of Southern California, and has developed a unique style that draws equally from improvisation, contemporary classical music, and the American guitar traditions of blues, jazz, and rock.

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James Blood Ulmer

James "Blood" Ulmer (born February 2, 1942 in St. Matthews, South Carolina) is an American avant-garde and and . Ulmer's distinctive guitar sound has been described as "jagged" and "stinging." His singing has been called "raggedly soulful." Ulmer began his career playing with various ensembles, and first recorded with organist John Patton in 1969. After moving to New York in 1971, Ulmer played with Art Blakey & The Jazz Messengers, Joe Henderson, Paul Bley, Rashied Ali and Larry Young.

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Duane Pitre

Duane Pitre is an American avant-garde composer and performer. His work often focuses on the tensions between electronic sound and acoustic instrumentation, chaos and discipline, as well as site-specificity and performativity. The composer frequently works with long-tones and utilizes alternate tuning schemes that focus on microtonality, enabling him to explore unaccustomed harmonic intervallic relationships.

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Paul Metzger

In 1979, Paul Metzger drilled a few innocent holes into a Yamaha acoustic guitar. A self taught musician with 5 years of playing behind him, Metzger was growing tired of the conventions of the instrument. This lobotomy was the first of many surgeries that would follow in years to come. Strings were added, subtracted, added again; the frets of the neck were disemboweled and retrofitted with a sarod like metal fingerboard plate; paint was splattered over it, a rejigged music box was affixed to the guitar's belly, a crash cymbal mounted to its bottom.

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L'ocelle Mare

L'ocelle Mare consists solely of Thomas Bonvalet, of Cheval de Frise fame.
His compositions as L'ocelle Mare are just as, if not more, complicated than they were during the Cheval de Frise years. The main difference is the obvious lack of song structure here.
This is not free-composition, but tediously constructed, felt-out melodies and rhythms that are played flawlessly during live performances. Every single noise and click that you hear is completely intended.

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