Indian
There are at least three bands called Indian: 1) A Chicago-based doom metal band. Born in different parts of country, brewed in the depths of Chicago, Indian have grown to be chiefs of doom in the Midwest and around the U.S. since their first show in early 2003. Their slow-sludge guitars, demon-esque vocals and mad smart rhythms make the three piece pure sophisticated evil. Indian's first recording, Godslave, released in 2004, quickly became an underground favorite for doomers across the country.
The Knockouts
There are several artists named "The Knockouts" ; - A band from Stockholm, Sweden www.theknockouts.com
Success has followed THE KNOCKOUTS, stealing the trophy for the Best Punk Album at the American Independent Music Awards and with the single ‘A Lie Like In Natalie’, on high rotation on radio. They have been on the biggest European rock festivals such as P&L, PiP, West Coast Riot, Azkena Rock Spain, and more.
Dangerous!
http://www.d-or-die.com/ Dangerous! formed from the break up of band Wendy Icon. Lead Singer Tommy Icon quickly formed a new band along the same style, named Dangerous! With snazzy lines such as "Get High On A New Thing", this band is sure to be making waves around the world soon.
Enuff Z'nuff
Enuff Z'Nuff is a power pop/hard rock band which was formed in 1984 in Blue Island, Illinois, United States by Chip Z'Nuff (bass) and Donnie Vie (vocals). The band has released twelve studio albums as of 2011 and is best known for their singles "Fly High Michelle", "New Thing" and "Mother's Eyes". Despite becoming popular during the glam metal movement of the 1980's, the band has little in common with such artists and has continued to record and tour since their formation.
Four Spirits
Four Spirits are a concept that has been waiting in the wings and are the aftermath of a handful of band's (Tawn, State Britain & Poor Frankie) now beginning to see things clearly and all singing from the same songbook. A more matured approach to songwriting has come about and passion for rock and roll! Four Spirits are Charlie Austwick taking role of singer/guitarist and general frontman swagger, Alex Aldridge on lead guitar melodically taking you to another world, James Hobday on bass guitar driving the undertones alongside Jake Whateley on drums beating the ryhthm unto a Viking invasion.
White Man Kamikaze
'Garage Monsters For The Modern Era' Austrian/Italian, London Irish, Polish/Indian, Greek & French/Spanish…That’s White Man Kamikaze. A contradiction! Something that shouldn’t work on paper. This London based Quintet are a sonic explosion of discarded and re-absorbed record collections. A band determined to force its audience to leave obvious at the door and dance to the unrelenting unexpected.
No Respect
There is more than one artist with the name 'No Respect': 1)No Respect was a german skapunk-band with mostly political lyrics. The main topics are antifascism, anarchy and freedom. 2)Some nasty and ripping metal that smacks of the bad boy L.A. scene of old, conjuring images of GNR, L.A. Guns, and early Skid Row, as well as some of the early carefree work of both Saigon Kick and Ugly Kid Joe.
Blue Hawaii
Blue Hawaii tells the story of a lush paradise. The way begins ambient and uncertain, but beautiful white shell beaches and carefree sunshine parties await and nourish those travelers with love in their hearts; their peace thus raised above the arguments found along the rocky road. The duo consists of Raph (Braids) and Agor; they use voice, guitars, synths, drum machines, and other electronics to create a kind of tropical-pop with love ache melodies and experimental club rhythms.
Zeke
1) ZEKE established a nasty disposition while cutting teeth on their own brash hardcore punk. ZEKE formed in 1993 with an original lineup of Blind Marky Felchtone, Donny Paycheck, Mark Pierce, and Dizzy Lee Roth. The band’s first release was 1993’s 'West Seattle Acid Party' single on Wrecking Ball Records, followed by the 'Holley 750' single on IFA Records. ZEKE then set out to bring their energetic recordings to the stage and established a more than formidable reputation as "the live band to beat" via concentrated regional touring.