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Fight the Big Bull

Fight the Big Bull is a Richmond, Virginia based improvisatory ensemble with two 2010 recordings selected for NPR's best of the year lists. The band was founded in the mid-00s by guitarist Matt White, one of the organizers of the Patchwork Collective, an arts group dedicated to creating a vital local music scene.The original configuration- called simply Fight the Bull- was a trio with drummer Pinson Chanselle and trombonist Bryan Hooten. The group was subsequently expanded to eight players (or nine, with the occasional addition of ex-Agents of Good Roots percussionist Brian Jones.

Read more about Fight the Big Bull on Last.fm.

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Conlon Nancarrow

Conlon Nancarrow (b. October 27, 1912, Texarkana - d. August 10, 1997, Mexico City) was an American-born composer who lived most of his life in Mexico. Nancarrow is remembered almost exclusively for the pieces he wrote for the player piano. He was one of the first composers to use musical instruments as mechanical machines, utilising their capacity to play complex polyrhythms at tempos far beyond human performance ability.

Read more about Conlon Nancarrow on Last.fm.

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Norman Skipp

Norm Skipp is a NZ/UK composer/sonic artist, video artist and online editor/compositor based in Manchester, UK He creates innovative sound and visual compositions often in collaboration with a diverse range of artists. He completed a Music degree (composition) in New Zealand in 1994 studying with Jack Body, Ross Harris, John Elmsly and John Rimmer. In 2007, while in residence at the Centre Création Musicale Iannis Xenakis (CCMIX) in Paris, he studied with Gérard Pape, Jean-Claude Risset, Trevor Wishart, Curtis Roads, Harry Halbreich, Agostino Di Scipio and Makis Solomos.

Read more about Norman Skipp on Last.fm.

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Greg Osby

Saxophonist, composer, producer and educator Greg Osby has made an indelible mark on contemporary jazz as a leader of his own ensembles and as a guest artist with other acclaimed jazz groups of the past 20 years. Notable for his insightful and innovative approach to composition and performance of original jazz music, Osby is a shining beacon among the current generation of jazz musicians. He has earned numerous awards and critical acclaim for his recorded works and passionate live performances.

Read more about Greg Osby on Last.fm.

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The Claudia Quintet

The Claudia Quintet is proof positive that the pessimists were wrong: jazz is not dead, despite being embalmed by major labels and confined by the narrow-minded to dead-ends. The stunningly original and lyrical works of this NY based ensemble, led by composer/drummer John Hollenbeck, reveal breathtaking new vistas for jazz beyond genre walls. In compositions that meld mental challenge with charm, captivating audiences with austere beauty or propulsive grooves, jazz breaks through its rigid shell, recombines with a myriad of other musics, and is reborn in a transcendent new form.

Read more about The Claudia Quintet on Last.fm.

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Georg Friedrich Haas

Georg Friedrich Haas (August 16, 1953 in Graz) is an Austrian composer of spectral music. Haas' style recalls that of György Ligeti in its use of micropolyphony, microintervals and exploitation of the overtone series. He is a founding member of the Graz composers' collective Die andere Seite. He lives in Vienna and composes in a cottage in Fischbach, Styria.

Read more about Georg Friedrich Haas on Last.fm.

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RED trio

Formed by three musicians from the new improvised music Lisbon scene, RED trio features Rodrigo Pinheiro at the piano, Hernâni Faustino at the doublebass and Gabriel Ferrandini at the drums. The trio was formed in 2007 as a response to a challenge posed by Hernâni Faustino. RED Trio explores one of the most prolific jazz formations: piano/doublebass/drums. The trio's music is characterized for being fast, energic, highly focused, dynamic and sometimes nervous and violent. Most of RED trio influences are based on jazz and especially on improvised music.

Read more about RED trio on Last.fm.

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ROVA

The experimental jazz zeitgeist of the 1960s and 1970s made possible any number of unconventional instrumental groupings. The basic horn-piano-bass-drums lineup of the modern jazz era lost its mandate, as more musicians searched for fresh and unusual sonorities. Ornette Coleman's bands did away with the piano; Cecil Taylor's trio with Jimmy Lyons and Sunny Murray eliminated the bass. Musicians associated with the Chicago-based AACM occasionally did away with one or more (or all) elements of the rhythm section; for example, in its first incarnation the Art Ensemble of Chicago had no drummer.

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Cram

This new quartet by Van Binsbergen sounds energetic and groovy, but has her characteristic frayed, playful edge to it.
Drummer Arend Niks and saxophone player Rutger van Otterloo also play in Corrie en de Grote Brokken, the combination with the fantastic latin-jazz bass player Mick Paauwe (Cubop City Big band, Rumbata, Bye-ya!) is new. Droning, intense baritone saxophone- and basslines with crackling drum- and guitar playing, next to subtle ballads and more open structures.

Read more about Cram on Last.fm.

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