Kismet HC
Pop Punk, led by Stokes King Punk "Dave Scratchy Scragg".
Pop Punk, led by Stokes King Punk "Dave Scratchy Scragg".
There are three or greater artists named Ragdoll. 1, A post-punk outfit from Baltimore, MD. 2, ragdoll is a Japanese duo band consist of Tatsugoo (sound producer/art direction/DJ) and Yummi (vocal/lyrics/dance). 3, Ragdoll: A German tech house/electro outfit with known eps Pink & Blue Vitamins and Soundwave
[1] http://ragdoll.bandcamp.com/
[2] Official site: http://ragdoll-music.com/
[3] Discogs: http://www.discogs.com/artist/Ragdoll
Patty Griffin, born Patricia Jean Griffin, March 16th, 1964 in Old Town, Maine, is an American folk singer. She brought out her debut album Living With Ghosts--a set of demos featuring only Ms. Griffin and her guitar--to critical acclaim in 1996. Her sophomore album, Flaming Red, demonstrated a more rocking, full-band sound. The ill-fated Silver Bell album was never released by her record label, however, and the label terminated her recording contract shortly after that. Many of the songs from Silver Bell were re-recorded for subsequent albums.
There are more than one artist named Beni:
1. Beni, a DJ from Australia
2. BENI is a Japanese pop singer, currenly signed to the Universal Music Japan record label. She made her debut as a member of the defunct supergroup Bishoujo Club 31, and was the first member of the group to pursue a solo career while being an active member. In 2004, she debuted on the avex trax record label as Arashiro Beni (安良城紅).
Formed in the late 90s, Lycanthia are a 6 piece Gothic/Death-Doom Metal band from Sydney, Australia. Their music can be described as dark, aggressive and emotional soundscapes fused with classical and rock elements. Consisting of grim male and dual female vocals, violins, keyboards, guitars and drums, Lycanthia continues the sound found in the early "golden age" works of classic gothic doom bands Theatre of Tragedy, Tristania, My Dying Bride, and The Sins of thy Beloved, while also adding more aggressive and traditional-doom influences.
Beyond Pink is a hardcore-punk band from Malmö, Sweden. The band started in 2002. This is definitely something for all those into fast hardcore, as well as riot grrrls sounds and tradition of the 80's swedish hc/punk. Their music reflects how wide influences they have and it makes their music powerful and kicking. Their lyrics are alongside with the music, they reflect anger and critical views on issues like macho/sexistculture, violent dancing, cops, pro-life fundemantalists or corporate capitalism and their financial institutions like WTO and G8.
Natasha Bedingfield (born November 26, 1981) is a British pop singer, and sister of pop singer, Daniel Bedingfield. She also has a younger sister, Nikola Rachelle. Her debut single, "Single", was released in 2004, followed by the worldwide hit "These Words", which charted at #1 in the United Kingdom. She also released "Unwritten" and "I Bruise Easily" from the album, both of which were top 20 hits. Her debut album Unwritten went triple platinum in the UK, and has since found huge success in the USA.
0.) Vertigo is a techno/electro/industrial group hailing from Washington, DC consisting of Xavier Lopez Swafford and Christian Lopez Swafford.
1.) Vertigo was a drum-n-bass project.
2.) Vertigo Project is German alternative rock band.
3.) Vertigo was a German/Italian dance project.
4.) Vertigo was a Czech ska band.
5.) Vertigo is an alternative rock band from USA.
6.) Invertigo is a Australian pop rock band.
7.) Vertigo is a Hungarian Metallica tribute band.
Margaret LeAnn Rimes (born August 28, 1982, in Jackson, Mississippi) is a popular American country and pop music singer. Rimes emerged with her first single, "Blue," when she was just thirteen years old in 1996. She is most recognized for her crossover hit "How Do I Live" which, according to the Billboard charts, is one of the most successful songs in American music history, spending 69 weeks on the charts, more than any other song in American history. While country singer Trisha Yearwood's version of the song won a Grammy in 1998, Rimes' version outsold Yearwood's by millions of copies.