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Santessa

Santessa is the UK's best kept secret. Her debut album DELIRIUM, produced by Stuart Matthewman, (Sade, Maxwell, Sweetback) released through Sony UK in 2000, was critically acclaimed across the board. It has gone on to become a highly sought after collectors item worldwide. Born on the Isle of Man, but without a drop of Manx blood; Her mother is half English, half Ghanaian, and her father hails from Ireland.

Read more about Santessa on Last.fm.

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Cut Killer

Cut Killer is the French's answer to Funkmaster Flex. He has helped bring French Hip-Hop to a bigger audience and seems to have performed collaborations with French's best, Supreme NTM, Shurik'n, Fonk Family etc. His mixing style is a cut upbeat hip-hop, funk, soul break set which has great rhythm. Cut Killers was first heard by many when he had a brief part playing a mix out of the window on French Film "La Haine" (KRS 1 Sound of Da Police with Edith Piaf - Je ne regrette rien) More recently he has been collaborating with DJ Abdul to create more R+B style mix CDs.

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Earth, Wind & Fire

Earth, Wind & Fire is an American band, formed in Chicago, Illinois in 1969. Led by Maurice White, they are best known for their hits of the 19, among them "After the Love Has Gone", "September," "Reasons," "Fantasy" and "Shining Star." Earth, Wind & Fire became the first black performers to headline throughout the world without an opening act, to receive Madison Square Garden's Gold Ticket Award for selling more than 100,000 tickets and to receive the Columbia Records Crystal Globe Award for selling more than five million albums in foreign markets.

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Artifacts

There are two artists known as Artifacts:
1. The Artifacts, a hip hop duo
2. Artifacts, a hardcore punk band 1.) The Artifacts were a throwback hip-hop duo from Newark, NJ. Their music reflected and emphasized three of the four elements of true hip-hop culture: MCing, DJing, and their specialty, graffiti writing or “bombing”; both Tame One and El Da Sensei are proficient at all three. With unique styles that play off each other well, Tame and El’s graff-rap was well received by underground audiences and continued in the Jersey rap tradition of Redman and Lords of the Underground.

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Rui Da Silva

Rui da Silva is a Portuguese producer and DJ, whose single "Touch Me" (featuring the vocals of Cassandra Fox) topped the UK Chart in 2001. At the time, he was the only Portuguese musician to have a UK hit and hence was the first to score a UK number one. Rui started producing house music in 1992, just as club culture was getting established in Lisbon. Noticing the lack of dance music labels in Portugal, Rui teamed up with DJ Vibe to form Kaos Records, the first label in Portugal specialized in house and electronic music.

Read more about Rui Da Silva on Last.fm.

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Pat Hull

Deli Magazine:
"The Brooklyn based songwriter's alto and his intimate melodies are evocative of Luke Temple's solo ... more records before he started Here We Go Magic, and although the instrumentation, cadence and atmosphere of this material scream "country", Pat's melodies and guitar parts go in the direction of gently reinventing the genre rather than obeying to its exhausted axioms." View www.pathull.bandcamp.com for all information on songs, albums, and purchases.

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Claudio Fiore

Claudio Fiore is a producer, writer and musician creating many styles of music. He has been a drummer for many years and now exclusively uses Roland V-Drums, ProMark sticks and Meinl percussion. The styles of music he produces are mostly electronic based including electronica, ambient, house, trance, chillout, dance, electro, lounge and downtempo but also funk, rock, pop and much more... Claudio has been releasing music since 2011 under the Sweet Sounds label and now under his own label Squirrel Sounds.

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Benny Goodman

Benny Goodman, born Benjamin David Goodman, (May 30, 1909 – June 13, 1986) was an American musician, known as King of Swing, Patriarch of the Clarinet, The Professor, and Swing's Senior Statesman. Goodman was regarded by some as a demanding taskmaster, by others an arrogant and eccentric martinet. Many musicians spoke of The Ray, Goodman's trademark glare that he bestowed on a musician who failed to perform to his demanding standards.

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