classic hip-hop

Biz Markie is an East Coast hip hop artist, DJ and world-renowned Human Beat Boxer, best known for humorous singles like "Just a Friend" and "Pickin' Boogers." and his pre-MTV hit "Vapors". He has been labeled The Clown Prince of Hip-Hop. His career began in the 1980s. In 1992, Biz recorded a song called "Alone Again," but Gilbert O'Sullivan claimed the track featured an unauthorized sample of his hit "Alone Again (Naturally)," and served Biz papers. His career was quite damaged from the lawsuit, and Biz ducked out of the harshest glare of the limelight for the remainder of the 1990s.

Members Kool Keith, Ced Gee, TR Love and Moe Love released their debut album Critical Beatdown, produced by Paul C., in 1988 and inspired the world of hip hop with their original sound of unorthodox sampling, polysyllabic rhymes, and bizarre lyrical imagery. Kool Keith went on to work with many other groups and solo projects including The Cenobites, Dr Octagon, Masters Of Illusion and Dr. Dooom Their work has been often sampled, most notably in The Prodigy song "Smack My Bitch Up"

Read more about Ultramagnetic MC's on Last.fm.

An original member of New York's new-school pioneers the Ultramagnetic MC's, "Kool" Keith Thornton is best known as a solo rapper. His signature style is stream-of-consciousness lyrical flow and complex vocals, two skills that earn him a perennial nod from the underground hip-hop community. The average Kool Keith album is peppered with bizarre, disjointed, even delusional or disassociated themes, concepts, and references. Nearly all of his albums incorporate a satirical dislike for more commercialized strains of hip-hop, as well as major record labels.

There are two artists known as Artifacts:
1. The Artifacts, a hip hop duo
2. Artifacts, a hardcore punk band 1.) The Artifacts were a throwback hip-hop duo from Newark, NJ. Their music reflected and emphasized three of the four elements of true hip-hop culture: MCing, DJing, and their specialty, graffiti writing or “bombing”; both Tame One and El Da Sensei are proficient at all three. With unique styles that play off each other well, Tame and El’s graff-rap was well received by underground audiences and continued in the Jersey rap tradition of Redman and Lords of the Underground.