contemporary classical | Musicosity

contemporary classical

The Philip Glass Ensemble

The Philip Glass Ensemble is a musical group founded by composer Philip Glass in 1968 to serve as a performance outlet for his experimental music. The Ensemble's instrumentation became a hallmark of Glass' early style. After Glass wrote his first opera, Einstein on the Beach, for the Ensemble in 1976, he began to compose for other instrumentation more frequently. While the Ensemble's exact instrumentation has varied over the years, it has generally consisted of amplified woodwinds, keyboard synthesizers, and solo soprano voice (singing solfege).

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Max Richter

Composer Max Richter was born in Germany in 1966 and grew up in the UK. He studied composition and piano at Edinburgh University, the Royal Academy of Music and in Florence with Luciano Berio. Though he has a strong background in the canons of classical music, his influences were more modern composers and in particular, Iannis Xenakis whose musical compositions applied mathematical and physical laws and Philip Glass whose sound was a major influence on Richter.

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Kronos Quartet, Kimmo Pohjonen & Samuli Kosminen

Uniko is a seven-part work composed by Pohjonen and Kosminen which had its World Premiere concert with Kronos Quartet at the prestigious Helsinki Festival in 2004. Subsequent Uniko performances took place in Moscow, Norway and eventually led to its North American Premiere with three sold-out concerts at the BAM NEXT WAVE Festival in New York in 2007. Uniko was recorded at Avatar Studios in NYC immediately following the BAM concerts with production by Iceland’s Valgeir Sigurdsson, known for his work with Björk and others.

Read more about Kronos Quartet, Kimmo Pohjonen & Samuli Kosminen on Last.fm.

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Morten Lauridsen

Morten Lauridsen (born February 27, 1943 in Colfax, Washington) is an American composer with Danish roots. He grew up in Portland, Oregon, and attended Whitman College and the University of Southern California, where he studied advanced composition. He is a long-time professor and Chair of the Department of Composition at USC, and was also Composer in Residence of the Los Angeles Master Chorale from 1994 to 2001.

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Michel van der Aa

Michel van der Aa (Netherlands, 1970) is one of Europe’s most sought-after composers today.
 For Van der Aa, music is more than organized sound or a structuring of notes. His music has expressive power, combining sounds and scenic images in a play of changing perspectives. Van der Aa's recent stage works show a successful involvement as a film and stage director as well as composer. “Van der Aa, stage director and mastermind as well as composer, pushes the boundaries of all of his media. This is the Gesamtkunst of the future.” (Financial Times)

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Alarm Will Sound

Alarm Will Sound is a U.S. twenty-member contemporary-music chamber orchestra. Members of the ensemble began playing together while studying at the Eastman School of Music in Rochester, New York, and have diverse experience in composition, improvisation, jazz, popular styles, early music, and various traditional musics from around the world. Alarm Will Sound's repertoire ranges from European to American works, from the arch-modernist to the pop-influenced.

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Benjamin Frith

Benjamin Frith was born in South Yorkshire in 1957 and from the age of ten has studied with Fanny Waterman. He came to attention when at the age of fourteen he won the National Concerto Competition. This was followed by a Mozart Memorial Prize, the award for Young Concert Artists promoted by the National Federation of Music Societies (1986) and recitals in Italy.
His international career expanded further after the award of a Gold Medal at the 1989 Arthur Rubinstein Piano Competition in Israel, where he also picked up the award for chamber music.

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Wim Mertens

Wim Mertens (b. Neerpelt, Belgium, May 14, 1953) is a Belgian composer, countertenor vocalist, pianist, guitarist, and musicologist. Mertens studied social and political science at the University of Leuven (graduating in 1975) and musicology at Ghent University; he also studied music theory and piano at the Royal Conservatories of Ghent and Brussels. In 1978, he became a producer at the then BRT (Belgian Radio and Television).

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Mark Feldman & Sylvie Courvoisier

A spectacular presentation of eleven new compositions from Zorn’s Book of Angels by two passionate virtuosos whose work together is never less than perfection itself. Contextualizing the music into a classical recital for violin and piano, this is the chamber music of the future. Exciting and breathtaking, Mark and Sylvie have put together a program filled with imagination, lyricism and an intense energy. New Jewish music by one of the greatest violin/piano pairings ever. This is a whole new all-encompassing direction for classical music.

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