free-jazz | Musicosity

ROVA

The experimental jazz zeitgeist of the 1960s and 1970s made possible any number of unconventional instrumental groupings. The basic horn-piano-bass-drums lineup of the modern jazz era lost its mandate, as more musicians searched for fresh and unusual sonorities. Ornette Coleman's bands did away with the piano; Cecil Taylor's trio with Jimmy Lyons and Sunny Murray eliminated the bass. Musicians associated with the Chicago-based AACM occasionally did away with one or more (or all) elements of the rhythm section; for example, in its first incarnation the Art Ensemble of Chicago had no drummer.

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Schlippenbach Trio

A marvellous free jazz trio/quartet comprising Alex von Schlippenbach, Evan Parker and Paul Lovens that has incredibly maintained group stability, artistic integrity and a staggering level of consistency and development over its period of 25 years.

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Olaf Rupp

Olaf Rupp, born 1963 in Saarlouis. As an autodidact at the age of twelve he started to play what we might call today Improvised Music or Instant Music and he always returned here after several excursions into other fields. In the nineties he mainly played electric guitar and his own setup of electronics. (EMAK BAKIA, STOL, BEASTIESHOPBEACH and sound installations) By now he came back to the acoustic guitar, developping some playing techniques (Chinese Pipa music, rasgueados, arpeggios and tremoloes) in such a way that they can be used for new cluster effects to create density.

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Ashley Paul

Multi-Instrumentalist/Composer Ashley Paul uses a unique mixture of saxophone, clarinet, voice, prepared strings and bells to create a dream-like mash of minimalist, psycho-accoustic experiments, floating melodies, metallic clatter and screeching bit-reed tones. She combines these disparate elements to create introverted songs, and intuitive forms. Performing solo, Ashley brings to the stage her own eclectic set-up, forging a dense sound closer to a small band than just one person, often playing multiple instruments simultaneously to accompany sparse melodies from her voice and saxophone.

Eddie Prévost

Edwin Prévost (born June 22, 1942 in Hitchin) is an English drummer and percussionist. An important figure in the history of free improvisation, Prévost began as a jazz drummer before branching out into entirely improvised music. He was a co-founder of the group AMM, and remains its only constant member. Prévost has worked with several prominent jazz musicians, including saxophonist Lou Gare.

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Nels Cline

Nels Cline (born in Los Angeles in 1956) is an American guitarist and composer. Currently he is the lead guitarist of the rock band Wilco. Nels began to play guitar at age 12 when his twin brother, Alex Cline took up the drums. Cline is not classically trained. This gives him a unique avant-garde style that many other jazz guitarists fail to match, due to their probable conventional training. He is noted for his apt use of effects pedals and looping devices, which enhances his style and gives his approach to guitar and music a distinct sound.

Marseille Figs

"Marseille Figs produce a sordid amalgam of inebriated bubblegum, hi-tone honky tonk, tin pan alley, free jazz and punk. Melodic, chaotic, and sometimes ha-ha funny, their repertoire includes flophouse ballads, big booming piledrivers and lost soul singalongs." Marseille Figs are:
J. Maizlish
Dorian McFarland
Tom Chant

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Alexander von Schlippenbach

Alexander von Schlippenbach (* 1938 in Berlin) is a German jazz pianist and composer.
Schlippenbach started to play piano from the age of 8 and went on to study composition at Cologne under Bernd Alois Zimmermann. While studying he started to play with Manfred Schoof. At the age of 28 he founded the Globe Unity Orchestra.
He produced various recordings and worked for German radio channels. He played with many essential players of the European free jazz community, most notably in the "Alexander von Schlippenbach Trio" with drummer Paul Lovens and saxophonist Evan Parker.

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Grutronic

Grutronic are four musicians from diverse backgrounds working collaboratively in a unique electronic idiom. They combine electronic and acoustic sound to create unique textures and give them compositional direction. This process involves the creation of a complex, shifting soundscape. Grutronic employ a hands-on physicality to electronic instruments, understanding that input, control and exchange of human energy are what gives sound, form, soul and a human reason for being.

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Veryan Weston

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