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Mr. G

Mr. G is an alias for UK house and techno producer Colin McBean. Formerly recording as part of The Advent with Cisco Ferreira, solo since 2001. In addition, it’s the fairy tale story of a 36 year old high school Drama teacher from Summer Heights whose self penned musical touched the nation and resulted in a string of memorable songs. One such song was “Naughty Girl”. Told through the voice of Drama teacher Mr G, the song describes the plight of a promiscuous young girl with an addiction for recreational drugs.

Read more about Mr. G on Last.fm.

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Cornell Campbell

Cornell, or Cornel, Campbell started recording in 1956, cutting shuffle and early ska tunes like "My Treasure" and "Don't Want Your Loving" at the ubiquitous Studio One for Coxsone Dodd. His singing style is delicate and ephemeral, making heavy use of falsetto. His stint at Studio One produced some beautiful tunes like Stars, Queen Of The Minstrels, Magic Spell, Trick In The Book and many others. His sister, Cecille Campbell, also sang at Studio One and was a member of the Soulettes with Rita Marley.

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Black Uhuru

Black Uhuru is a Jamaican band probably best known for their hits "Shine Eye Gal", "Guess Who's Coming to Dinner," "Sinsemilla," "Solidarity," and "What Is Life?". They were the first group to win a Grammy in the reggae category when it was introduced in 1985. They originally formed as 'Black Sounds Uhuru' (the Kiswahili word for freedom). The first line-up of the group was Garth Dennis, Don Carlos, and Derrick "Duckie" Simpson.

Read more about Black Uhuru on Last.fm.

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Dave & Ansell Collins

Dave Barker (born David John Crooks, 10 October 1947, Kingston, Jamaica), a session vocalist, and Ansell Collins (born 1949, Kingston, Jamaica) , a keyboards player, were working for producer Lee “Scratch” Perry in Kingston, Jamaica in the late 1960s, and joined forces in 1971, for the ska single “Double Barrel”. Released on Techniques Records, part of the Trojan Records label, it topped the Jamaican and UK charts in March of that year. It was the first record the celebrated drummer, Sly Dunbar, ever played on. He was aged fourteen at the time.

The follow-up release, the similarly styled “Monkey Spanner” enjoyed the same international success. Most of their recorded work was written by Winston Riley. After cutting an album, Collins and Barker parted company; Collins becoming a top class session player and Barker, now resident in the UK, singing with a number of undistinguished soul groups. They attempted a comeback in 1981 without success.

In 1986, Ansell appeared as one of Ernest Reed’s (Jimmy Cliff) back-up musicians in the reggae-themed comedy film, Club Paradise. He was billed as “Ansel (sic) “Double Barrel” Collins”[3].

Ansell Collins has played and worked with The Upsetters, Black Uhuru, The Mighty Diamonds, Barrington Levy, Gregory Isaacs, U-Roy, Pama International and Jimmy Cliff in a long career.

Dave & Ansell Collins (sometimes billed as Dave and Ansil Collins or Dave & Ansel Collins).

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Band

Joe Harriott

Joe Harriott (1928-1973) was a Jamaican jazz musician and composer, whose principal instrument was the alto saxophone. Initially a bebopper, he is now widely acknowledged as one of the worldwide pioneers of free jazz. Born Joseph Arthurlin Harriott on 15th July 1928 in Kingston, Jamaica, he was educated at Kingston's famed Alpha Boys School, which produced a number of prominent Jamaican musicians. He moved to the U.K. as a working musician in 1951, and lived in the country until his death on 2nd January 1973 in Southampton, Hampshire.

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Stewart Copeland

Stewart Armstrong Copeland (born July 16, 1952) is an American musician. He was the drummer for the band The Police and is an influential drum stylist. Copeland is also popular for a wealthy catalogue of SOUNDTRACKS. During the early days of The Police he also released music under the (then secret) pseudonym of Klark Kent. In the late 80's's Copeland formed the band Animal Logic, who released two albums before their demise. He is also a member of the supergroup Oysterhead.

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Andrew Tosh

Andrew Tosh, a virtual carbon copy of Peter has been predicted to carry on the family's musical tradition since first gaining recognition with a powerful performance at his father's funeral in 1987. It's a mantle he's carried proudly and continues to shoulder with aplomb. Andrew made an auspicious recorded debut by covering several of his father's tunes on the 1988 album "Original Man", which was remixed and re-released with several additional dub versions on Heartbeat Records in 1994.

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Little John

There are two artists called Little John 1. b. John McMorris, C. 1970, Kingston, Jamaica, West Indies. McMorris first recorded with Captain Sinbad for the Youth In Progress label at the tender age of nine, where his piping interjections contrasted neatly with Sinbad's gruff style, and throughout the 80's he was seldom out of the Reggae charts. Claimed by many to be the first Dancehall singer, his ability to fit lyrics over any rhythm or backing track became something of a legend in a business that has scant regard for second takes and "dropping in.

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Dillinger

There are at least 2 bands with the name Dillinger 1. Dillinger (born Lester Bullocks on January 25, 1953) is a prominent reggae artist. Dillinger was part of the second wave of DJ Toasters who sprung up around Jamaica during the mid 1970s. Inspired by Big Youth, U Roy, and Dennis Alcapone, Dillinger was known for his quick wit, humorous lyrics and vulgar content ("crab in my pants"). As a youth growing up in Kingston, Jamaica, Dillinger would hang around Dennis Alcapone's El Paso Setup. This exposure would eventually lead to a full time gig at Jackie's sound system.

Read more about Dillinger on Last.fm.

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Julian Marley

For Julian Marley, music is life, life is music and both are blessings from above. "From a small age music has been there in my life. It's just natural. And it is with the inspiration of the Most High that I create my songs," the artist, a son of Bob Marley, explains. Born on June 4th, 1975 in London, England, Julian's development as a singer/songwriter began when, at age five, he cut his first demo tape, recording a version of his father's classic composition, "Slave Driver," at the Marley family's Tuff Gong studio in Kingston.

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