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The Bastards of Fate

The Bastards of Fate formed in 2006, and toured for almost 5 years before finishing their first LP, called "Who's a Fuzzy Buddy?" which was released in March 2012 on This Will Be Our Summer records. The album has received mostly positive, though sometimes baffled coverage from outlets such as Vice, Consequence of Sound, Drowned In Sound and Clash, as well as hype from Everett True's Collapse Board, which has featured the band on numerous occasions.

Read more about The Bastards of Fate on Last.fm.

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James Carter

Born in Detroit, Michigan, in 1969, James Carter began playing saxophone at age 11, first recorded with a Detroit student ensemble in 1986 and, by 1991, had recorded with legendary trumpeter Lester Bowie on The Organizer and contributed to the 1991 collection The Tough Young Tenors. Mastering a family of reed instruments, from sopranino to contrabass saxophones to contrabass and bass clarinets, James Carter mesmerized the jazz world after arriving in New York City in 1988 to play under the auspices of Lester Bowie.

Read more about James Carter on Last.fm.

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Kenny Garrett

Kenny Garrett is a jazz saxophonist. He was born in Detroit, Michigan in 1960. His father was a tenor saxophonist. Kenny's career took off when he joined the Duke Ellington Orchestra in 1978, then led by Duke's son, Mercer Ellington. Three years later he played in the Mel Lewis Orchestra (playing the music of Thad Jones) and also the Dannie Richmond Quartet (focusing on Charles Mingus's music). In 1984 he earned a shot at his first album as a band leader, "Introducing Kenny Garrett". From there, his career has exploded into 11 albums (as a leader) and numerous grammy nominations.

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Branford Marsalis

Branford Marsalis (born August 26, 1960, Beaux Bridge, Louisiana) is an American . Branford studied with Alvin Batiste at Baton Rouge's Southern University in 1978, completing his studies at Berklee School of Music, between '79 & '81. He began his professional career in the early 1980s playing with Art Blakey's big band (playing baritone), Clark Terry's band, and Blakey's Jazz Messengers.

Read more about Branford Marsalis on Last.fm.

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Norman Connors

Norman Connors (born March 1, 1947 in Philadelphia, Pennsylvania) is an American jazz drummer, composer, arranger, producer, and headliner, who has led some influential jazz and R&B groups. He had some big R&B hits of the day, especially in the area love ballads and songs with a positive statement in both titles and lyrics. Connors became interested in jazz as a child, and began playing drums early, once sitting in for Elvin Jones at a John Coltrane performance he attended while in middle school.

Read more about Norman Connors on Last.fm.

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Ravi Coltrane

In many ways, Ravi Coltrane has followed quite well in the footsteps of his father, the legendary John Coltrane. Performing with drummer Elvin Jones and other players who worked with the elder Coltrane, Ravi continues to propel his father's musical dream, carrying the elan of deep, probing, saxophone-driven jazz into the 21st century.

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David Liebman

Dave Liebman (born on 4 September 1946, Brooklyn, New York) is an American saxophonist and flutist. Liebman is a New Yorker, and a History graduate from New York University. He learned both piano and saxophone as a boy but had no formal education. In the late sixties he worked with Pete La Roca, Chick Corea, Dave Holland and Steve Swallow, amongst others, before joining Elvin Jones's band. In 1972 he was asked to join Miles Davis's group, and can be heard on Davis's albums On the Corner, Big Fun...

Read more about David Liebman on Last.fm.

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John Surman

Born in Tavistock, Devon in 1944, composer/multi-instrumentalist John Surman is one of the key figures in a generation of European musicians who have crucially expanded the international horizons of jazz during the past thirty years or so. Long acknowledged as an improviser of world class, Surman has also composed a body of work which extends far beyond the normal range of the jazz repertoire. Already, by the late 60s, it was clear that Surman was a phenomenon.

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