Shawn Lee's Ping Pong Orchestra is a project by multi-instrumentalist Shawn Lee. Shawn grew up in a rural area on the outskirts of Wichita, Kansas. His mother is half Lebanese, half American Indian, his father Irish-American. While his peers got off on cheesy corporate rock and the kind of line-dancing tunes recently fashionable in Gap ads, Shawn was groovin to the blaxploitation funk Sly and the Isleys.
Big Sir is a band that includes bassist Juan Alderete (The Mars Volta and Racer X), singer Lisa Papineau, and producer Bruce Bouillet. Members
Lisa Papineau - Vocals
Juan Alderete - Bass
Adrian Terrazas-Gonzales - Percussion, Woodwinds Discography
Big Sir (2000)
Now That's What I Call Big Sir (2001)
Und Die Schei
Dabrye (pronounced “DAB-ree”) is just one alias of Ghostly artist Tadd Mullinix, who explores hip-hop with head-nodding beats and saw-tooth bass lines, with a keen eye to forward-thinking production and rhythms. Dabrye has earned considerable praise from both the hip-hop underground (Jay Dee, Jurassic 5) and the electronic music press, earning him a Next 100 mention from URB in 2002 and praise from publications as diverse as Rolling Stone to The Wire.
Hardcoreband from K-town Belgium. sick one
Outlines are long-time friends Jerome, Irfane and Jay1. Although the paths of life led the three members to interact - Jerome and Irfane went to school together - it is hip-hop culture that is responsible for their union. Indeed, while, in the early nineties, Jerome was breakdancing, both Irfane and Jay1 were writing graffiti. Jay1 has since then established himself as one of the finest French writers, collaborating with fashion designers (agnes b.
Lemon Jelly (formed in 1998) are a British electronica duo from London, UK consisting of Nick Franglen and Fred Deakin. Franglen and Deakin initially released three limited-circulation EPs, The Bath (1998), The Yellow (1999), and The Midnight (2000), which were then collected into a widely-released album in 2000, lemonjelly.ky, which was both a critical and a commercial success. Their second album (and self-proclaimed first studio album), Lost Horizons, was released in 2002, and was another success.
Young Heretics fell asleep in February 2011. Someone find a pokeflute, quick! Young Heretics are the brainchild of Melbourne based duo, Kitty Hart and Matthew Wright - eccentric twins, both with a love of warped pop music and sonic invention. The dual vocal attack incorporates theatrical soundscapes, driving beats and a massive selection of other instruments to create a dynamic and inventive sound unlike any Australian music created before it.
(from http://www.mushrecords.com) Octavius is the highly acclaimed hip-hop/electronic project masterminded by vocalist/programmer William Marshall. Working under various incarnations, Octavius has released two EPs and a single leading to his Mush debut, Audio Noir. His approach to developing sound employs augmented samples, live instruments, and software-based editing techniques allowing the creation of music limited only by his imagination. An accomplished live performer, Octavius adds live keyboards, guitars, and drums as needed to elevate his sound.
There is more than one artist with this name: 1. Canadian frontman of The Tea Party.
2. A musician from Dublin, Ireland.
3. An American singer and drummer.
4. Lead artist behind the band Idaho 1) Jeff Martin was the lead vocalist and frontman of the Canadian rock band The Tea Party who is currently based in Perth, Australia. After the band broke up in 2005 he launched a solo career, and released his first solo album titled Exile and the Kingdom in April 2006.
Nitin Sawhney (raised in Rochester, Kent, England) is a london-based composer and dj of various styles of music, including jazz, drum and bass, hip-hop, flamenco and modern orchestral compositions. His major works include Beyond Skin, Prophesy, Human, and Philtre. He is considered one of the pioneers of what is known as the Asian Underground music scene, defining a music genre that mixes south-asian musical influences with western electronica and breakbeat style. He does however dislike the tag of "world" music, describing it as musical apartheid.