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Mingus Dynasty

Mingus Dynasty was formed in 1979, shortly after the death of jazz bassist and composer Charles Mingus, to keep the music of Mingus alive. Mingus Dynasty has featured many alumni of the Mingus groups. In recent years, it has become one of a trio of Mingus legacy bands: Mingus Dynasty is a septet, the ten-piece Mingus Orchestra, and the Mingus Big Band with 14 members. Mingus Dynasty members have included Jimmy Owens, Randy Brecker, Richard Williams, Jon Faddis, Jimmy Knepper, John Handy, Joe Farrell...

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Dave Weckl

Born in St. Louis, Missouri, January 8th, 1960, to a mother who loved music and a father who played the piano as a hobby, Dave started playing drums around the age of 8. During his high school years he received many awards from the NAJE (National Association of Jazz Educators) for his outstanding performances in his high school's competition winning jazz band, and was involved with numerous local groups from a very early age while studying with St.

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Kenny Garrett

Kenny Garrett is a jazz saxophonist. He was born in Detroit, Michigan in 1960. His father was a tenor saxophonist. Kenny's career took off when he joined the Duke Ellington Orchestra in 1978, then led by Duke's son, Mercer Ellington. Three years later he played in the Mel Lewis Orchestra (playing the music of Thad Jones) and also the Dannie Richmond Quartet (focusing on Charles Mingus's music). In 1984 he earned a shot at his first album as a band leader, "Introducing Kenny Garrett". From there, his career has exploded into 11 albums (as a leader) and numerous grammy nominations.

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King Pleasure

King Pleasure (March 24, 1922 - March 21, 1982) was a jazz vocalist and an early master of vocalese, where a singer sings words to a famous instrumental solo. Born Clarence Beeks in Oakdale, Tennessee, he moved to New York City in the mid-1940s and became a fan of bebop music. King Pleasure first achieved popularity by singing the Eddie Jefferson vocalese classic "Moody's Mood for Love," based on a James Moody saxophone solo to "I'm in the Mood for Love".

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Ahmad Jamal

Celebrated pianist-composer Ahmad Jamal continues his performance schedule around the world, as he has for well over the last four decades. Noted for his outstanding technical command and identifiable sound as a piano stylist, Mr. Jamal was born on July 2, 1930, in Pittsburgh, Pennsylvania. A child prodigy who began to play the piano at the age of three, he began formal studies at age seven. While in high school, he completed the equivalent of college master classes under the noted African-American concert singer and teacher Mary Cardwell Dawson and pianist James Miller.

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Wynton Marsalis

Wynton Marsalis has been described as the most outstanding jazz musician and trumpeter of his generation, as one of the world’s top classical trumpeters, as a big band leader in the tradition of Duke Ellington, a brilliant composer, a devoted advocate for the Arts and a tireless and inspiring educator. He carries these distinctions well. His life is a portrait of discipline, dedication, sacrifice, and creative accomplishment.

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Buster Williams

Buster Williams is a prodigious artist whose playing knows no limits. He has played, recorded and collaborated with jazz giants such as Art Blakey, Betty Carter, Carmen McRae, Chet Baker, Chick Corea, Dexter Gordon, Jimmy Heath, Branford Marsalis, Wynton Marsalis, Gene Ammons, Sonny Stitt, Herbie Hancock, Larry Coryell, Lee Konitz, McCoy Tyner, Illinois Jacquet, Nancy Wilson, Elvin Jones, Miles Davis, the Jazz Crusaders, Ron Carter, Woody Shaw, Sarah Vaughan, Benny Golson, Mary Lou Williams, Hank Jones...

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Andrew Hill

Andrew Hill (born June 30, 1931 – April 20, 2007) was an American jazz pianist and composer. Hill first recorded as a sideman in 1955, but his reputation was made by his Blue Note recordings as leader from 1963 to 1969, which featured several other important post-bop musicians including Eric Dolphy, Bobby Hutcherson, Joe Henderson, Freddie Hubbard, Woody Shaw, and Tony Williams, as well as two of John Gilmore's rare outings away from Sun Ra.

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