baroque | Musicosity

baroque

Pieter Wispelwey

Pieter Wispelwey (Haarlem, 1962) is a Dutch cello player. In 1992 he was the first cellist ever to receive the Netherlands Music Prize, given to the most promising young musician in the Netherlands. In the last decade he has been regarded as one of the leading cello soloists. This was not always so: in his twenties Pieter was considered by some to be both an enfant terrible and was typecast as a baroque cellist by others.

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Jules Massenet

Jules Émile Frédéric Massenet (May 12, 1842 – August 13, 1912) was a French composer from Montaud, France, who was best known for his operas. His compositions were very popular in the late 19th and early 20th centuries, and he ranks as one of the greatest melodists of his era. Soon after his death, Massenet's style went out of fashion, and many of his operas fell into almost total oblivion. Apart from Manon and Werther, his works were rarely performed. However, since the mid-1970s, many operas of his such as Thaïs and Esclarmonde have undergone periodic revivals.

Read more about Jules Massenet on Last.fm.

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English Chamber Orchestra

English Chamber Orchestra
Artistic Director Quintin Ballardie Principal Conductor Ralf Gothóni
Principal Guest Conductor Roy Goodman
Associate Conductor Paul Watkins Orchestra Leader Stephanie Gonley The English Chamber Orchestra is one of the world’s leading chamber orchestras, having performed in more countries than any other orchestra, recorded over 1,200 works and played with the world’s greatest musicians.

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Giovanni Pierluigi da Palestrina

Giovanni Pierluigi da Palestrina (b. 3 February 1525 – 2 February 1526; d. 2 February 1594) was an Italian Renaissance composer and the most well-known 16th-century representative of the Roman School of musical composition. Palestrina became famous through his output of sacred music. He had an enormous influence on the development of Roman Catholic church music, and his work has often been seen as the culmination of Renaissance polyphony.

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Rebel

There are at least three artists with this name: 1) Rebel is a Spanish MC, from Zaragoza. 2) Rebel is a hard rock band featuring John Lawton (ex-Uriah Heep). The band produced the only album 'Stargazer' (1983).
Line-up:
* John Lawton - Vocals
* Tommy Clauss - guitars
* Albert Stubler - Keybords
* Peter Weber - Bass
* Peter Garratoni - Drums 3) REBEL is a New York-based baroque ensemble, directed by Jörg-Michael Schwarz & Karen Marie Marmer.

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Carole Cerasi

After an unusual upbringing - born in Sweden of Sephardi/Turkish origins, with French as her first language - Carole Cerasi has been based in London since 1982. Her playing, like her background, resists being easily placed in any category. She has long been recognised as having a special affinity with the French clavecinistes, while her repertoire extends from the English virginalists through all the national styles to the early sonatas of Haydn and Beethoven, which she performs on fortepiano.

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Angelika Kirchschlager

Angelika Kirchschlager (born 1966 in Salzburg) is an Austrian mezzo-soprano opera and lieder singer. In a relatively short time, Angelika Kirchschlager became one of the most sought after mezzo-sopranos in the opera, recognized for her dramatic skills as well as for her singing. She has been heard on all of the major opera stages of the world and has performed interpretations of Lieder and Oratorios.

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Michael Chance

Michael Chance (born 7 March 1955 in Penn, Buckinghamshire, England) is an English countertenor. Chance was born in Penn, Buckinghamshire, into a musical family. After growing up as a chorister he attended Eton College, Berkshire, and later King's College, Cambridge. He took part in the project of Ton Koopman and the Amsterdam Baroque Orchestra & Choir to record the complete vocal works of Johann Sebastian Bach.

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Johann Sebastian Bach

Johann Sebastian Bach (21 March 1685, Eisenach O.S. – 28 July 1750 N.S.) was a prolific German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, a control of harmonic and motivic organisation from the smallest to the largest scales, and the adaptation of rhythms and textures from abroad, particularly Italy and France.

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