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more fucking house

Chez Damier

Chez Damier has devoted his life to electronic music as a vocalist, DJ, producer, label manager and graphic artist. Splitting his time between Detroit, Chicago and occasionally New York, Chez set up the Music Institute with Derrick May and Alton Miller looked after the business affairs and studio output of Kevin Saunderson's KMS label, and helped countless producers get a start in production. On top of that, he has a kick ass discography of his own...

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diskJokke

Following the success of Lindstrøm and Prins Thomas comes diskJokke, a.k.a. Joachim Dyrdahl the latest in a string of exciting and innovative artists hailing from the respected Oslo electronica scene. diskJokke was discovered by Oslo-Disco luminary Prins Thomas, who immediately signed three tunes to his Full Pupp label (released on two 12” singles). Almost simultaneously in Germany, M.A.N.D.Y and the Get Physical gang signed diskJokke for five other tunes (spread on two 12” singles) to their new Get Physical sub label, Kindisch.

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Traxx

Chicago born and bred Melvin Oliphant aka Traxx is known for constructing the "jakbeat" sound -- "a turbo-charged take on old school acid and Chicago house for the '00s put together with the unmistakeable tones of classic analogue gear such as the TR-909, TR-808, and, of course, the TB-303". Traxx himself talking about this phenomenon:
"It's a truly separate genre in its own right... the reason is because jakbeat is influenced from not just by techno and house...

Read more about Traxx on Last.fm.

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Roy Davis Jr

Roy Davis Jr. is a professional DJ specializing in house music on many different labels including Large, Ubiquity, Nice+Smooth Ultramedia and Scion. Davis grew up in Chicago, Illinois. Davis was turned on to house music at an early age by house pioneer Lil' Louis. Davis began his own production company named Phuture in the late 1980s. In the 1990s Davis teamed with Chicago vocalist Peven Everett and recorded the hit song, "Gabriel"(Large /XL).

Read more about Roy Davis Jr on Last.fm.

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Cajmere

For an international audience reawakening to the influence of Chicago house during the 1990s, Curtis A. Jones acted as quite a renaissance leader. Besides donning his straightahead house guise Cajmere and a flamboyant, neon-haired acid-house alter-ego named Green Velvet for several of the most memorable underground house tracks of the decade (including "Preacher Man," "Answering Machine" "Brighter Days" and "Flash"), Jones helmed the two most respected labels in the new school of Chicago house, Cajual and Relief.

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