love song | Musicosity

love song

William Tell

Southern California native William Tell is the former rhythm guitarist for the band Something Corporate. In 2007, he released his first solo album, You Can Hold Me Down. The record produced a few popular songs including "Slipping Under (Sing Along To Your Favorite Song)", "Fairfax (You're Still The Same)" (featuring former bandmate Andrew McMahon of Something Corporate), "Sounds" and "Young At Heart" and even charted to #11 on the Top Heatseekers. Since the release of his debut album, Tell has released several demos for download on his MySpace page.

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Percy Sledge

Percy Sledge (born 25 November 1941 in Leighton, Alabama) is a US-American R&B and performer. Percy Sledge worked in the fields in Leighton before he worked as an orderly at Colbert County Hospital in Sheffield. By the mid-1960s, Sledge was touring the Southeast with the Esquires Combo on weekends and working at the hospital. A former patient who was a friend of producer Quin Ivy introduced the two, an audition followed, and Sledge was signed to a recording contract.

Read more about Percy Sledge on Last.fm.

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Mirah

Mirah Yom Tov Zeitlyn was born September 17, 1974, Philadelphia, Pennsylvania and has released a number of albums under the K Records label. She has collaborated with her close friend Phil Elvrum of The Microphones and has also worked extensively with The Black Cat Orchestra. Mirah is the youngest of three children and lived in Bala Cynwyd, a suburb of Philadelphia for most of her childhood. She then moved to Olympia, Washington and attended The Evergreen State College. She is modest and deliberate, prefers privacy to invasion and reconciliation to war.

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Matt Nathanson

Matt Nathanson (born March 28, 1973 in Lexington, Massachusetts) is a whose work is a blend of and music. In addition to singing, he plays acoustic and electric guitar (usually a twelve-string), and has played both solo and with a full band. The Faster Songfacts says that his seventh studio album, Modern Love debuted on #17 on the Billboard 200 for the week of July 9, 2011, making it Nathanson's most successful album to date.

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