The Smallgoods
The Smallgoods (Smallies) are a band of 5 guys from Melbourne that perform catchy, harmony-filled pop. Shows are most often only in Melbourne, Australia.
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Michael Paynter
Michael Paynter (born 1986 in Melbourne, Australia) is a singer-songwriter and musician. He will release his debut album in early 2010, entitled This Welcome Diversion. He has released two singles from the album, "Closer" and "A Victim Song". To promote his album, Paynter supported Vanessa Amorosi on her national tour throughout July 2008, and served as the main support act for Shannon Noll on his National tour at the end of 2008.
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Red Riders
Red Riders are a four piece band from Sydney, Australia. They play an angular indie sort of music, and have released their first album, Replica Replica, to much critical acclaim. They also have 3 other EP's released including Self-Titled, The Plan A and Slide In Next To Me EP. The single 'Slide In Next To Me' received much airplay on Triple J and was voted number 96 in the 2006 Hottest 100.
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Laura Imbruglia
Quirky, punk/folk musician from the suburban Central Coast, just north of Sydney, Australia, an area that continues to provide a setting for some of her tart, witty lyrics. Laura Imbruglia performs both as a solo act and with a band. She is also the younger sister of Natalie Imbruglia. Known for her sense of humour ("Don
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Angelas Dish
Angelas Dish is an Australian indie pop band from the New South Wales Central Coast, formed in 2004. The four-piece currently consists of songwriting duo, brothers Michael and Joshua Harris, teamed up with bassist Peter Clarke and drummer Scott Mitchell. They have released three EPs and one studio album in their five year career.
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Bugdust
The latest band to impact onto the Australian rock scene – BUGDUST - step up and into the ring with no holds barred. In a music climate enjoying the long awaited re-emergence of rock, the BUGDUST blend of dynamic crunching guitar rock, relentless driving rhythms and killer three part vocal harmonies is set to take a serious grip on the rock fans wrestling with the challenge of finding music of the ‘Sweaty Honest Rock belt classification’.
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Children Collide
Children Collide are an indie rock band from Melbourne, Australia. Their debut album, The Long Now was released on 11 October 2008 and was produced by David Sardy. Johnny Mackay (guitar, vocals), Heath Crawley (bass) and Ryan Caesar (drums) formed the band in Melbourne a few years back after hitchhiking their way from Lismore. As founding members and principle songwriters, Johnny and Heath play raw over-driven rock, oozing a range of influences.
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Frankenbok
FRANKENBOK 2012 Hailing from Melbourne Australia, Frankenbok was born kicking and screaming in 1997. Now with 4 albums and 2 EP’s under their belt, their most recent release, deftly titled “THE END OF ALL YOU KNOW”, is by far the bands heaviest work to date. Musically it is a real blend of heavy metal styles, ranging from thrash, to punk to southern rock riffage and straight up heavy metal, all with a very Australian flavour and distinctive sound that the band have crafted over a 15 year existence.
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Ghostwood
Ghostwood are an alternative rock band formed in Sydney, Australia in 2006. Ghostwood members are Gabriel Navidzadeh (lead vocals), Paddy Harrowsmith (guitar), Tom Crandles (bass), and James West (drums). Still in high school, the band were signed to Modular in late 2006 for a one EP deal and are heavily influenced by bands like Oasis, The Stone Roses, Joy Division and My Bloody Valentine. The band used to be called The Ghosts, but changed their name to Ghostwood "because 7 million other bands already have the name 'Ghosts'".
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The Lovetones
The Lovetones is led by Matthew J. Tow (acoustic & electric guitars / sitar / autoharp / vocals), formerly of Drop City, Colorsound and The Brian Jonestown Massacre, along with Matt Sigley (bass / keyboards / vocals) and Chris Cobb (drums / percussion). The Lovetones released their debut album, Be What You Want in 2002 through Bomp! Records, creating a palpable buzz amongst critics from the likes of Creem and Rolling Stone magazine. The latter hailed mainman Matthew J Tow's songwriting worthy of Ray Davies, Bowie, Lennon and McCartney: a bold statement, yet in his case, completely justified.
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