Evil Devil
Evil Devil's project took place in Italy, March 2001, when CremEvil try to put once again together his previous band called Bone Rest which included AmbrosEvil and PiccEvil too. They decided to replace the previous singer with Angel Face, (a very good friend of CremEvil that was since long time in the psycho scene) and change the band name into Evil Devil.
It follows a short period of practicing, and the guys decided to self produce a CD with the songs they wrote, just for fun. The band sent the CD to the German label Crazy Love Records, probably the most important in the psycho scene.
project serendipity
The starting point was naïvely experimenting with old guitar pedals. Pulling the power out and sampling the noise, plugging the output back into the input and listening to my pedals scream.
A teenage love of all things Crackle, Zip and Bleep. Pretty quickly I found out about computers, and their boisterous potential. That was eight years ago, since then I've had material released by Crazy Fungus Records (US), Dance Like No Ones Watching (UK), Quiet Design (US) and Hollow Soul Records (UK).
Darkhalf
Frantic Flintstones
The Frantic Flintstones first incarnation was in 1986, in fact Chuck even remembers the first gig. It was at Reading University in October of that year. Previous to that Chuck had been fronting a few other bands that sort of fizzled out, notably What's This Fish? and Mute. The fish band even got some local press where Chuck is pictured with some very square 80s looking chaps while he looks all psycho and wearing a huge pair of glasses, even off the wall in those days.
GMS
Groundbreaking psychedelic trance group Growling Mad Scientists -- Riktam (Shajahan Matkin) and Bansi (Josef Quinteros, who is originally from Barcelona)--regularly tour the world and have sold over 200,000 albums on over 150 releases. Their music pushes and blurs sonic boundaries and has inspired both producers and punters alike, making G.M.S. one of the most in-demand live electronic acts in the world.
Joker's Daughter
Joker’s Daughter is a project featuring vocalist, songwriter and multi-instrumentalist Helena Costas. This fresh folk-pop excursion reveals new facets of the renowned artist and producer Danger Mouse, who collaborates with Costas throughout. Born in London but Greek Cypriot by origin, Helena Costas studied violin from ages 7 to 13, then taught herself guitar and keyboards. As she became an adult, her mission came into focus. She wrote songs relentlessly, learned the art of production, and gained confidence as a performer as she played gigs around London.
Fatima Al Qadiri
Fatima Al Qadiri is a Brooklyn-based composer, musician, curator and artist. Born in Senegal, Al Qadiri's exposure to the rampant misappropriation of Western subculture while growing up in Kuwait is apparent in her highly virtuosic body of work. She has performed her symphonic and plaintive baroque electronic compositions at The Kitchen, Gallery 179 and Santos Party House and has regularly exhibited multimedia projects in New York City and Kuwait alongside fellow iconoclasts Khalid Al Gharaballi and Lauren Boyle.
Skazi
Skazi is an Israeli trance band, producing a unique style of full-on psychedelic trance music since 1998. Their first trance album Animal, released in September 2000 was revolutionary in its sound & direction. Coming from a punk and hardcore scene, Skazi brought a new and innovative twist to trance, combining electronica with live guitar riffs & storming sounds. In March 2002 Skazi released their second album, Storm, followed by Total Anarchy in the summer of 2006.
Fireballs
“Technicolour rock, in the age of beige” Beat magazine Fireballs are recognised by many as Australia’s first and foremost psychobilly band, a reputation credited to their early beginnings and their present longevity. From inception the idea was to capture a flavour that would recognise their original rockabilly roots and their love of playing hard ‘n’ fast. Heavily influenced by double bass driven international bands, such as The Stray Cats, Batmobile, Mad Sin and the Klingonz, Fireballs ambitiously aimed to carve out their own niche in a smaller Melbourne scene.