Alt-country | Musicosity

Alt-country

Simon Fox

Birmingham-based musician, Simon Fox, currently working under the stage-name FOX Discography: "The First Rule Of Comedy" by Lonesome Fox (e.p. - 2007)
"Fruit" by Fox (single - 2009)
"Everything Is For The Best" by World Of Fox (album - 2009)
"Skip More School" (split single, including Fox - 2009) A prolific and committed independent musician, SIMON FOX was formerly leader of Birmingham

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Count To Fire

There are plenty of British bands around who have tried to take inspiration from the intimacy and expansive sound of Americana, but end up losing their own identity in the process. Not so Count To Fire. The Exeter band, who released their debut album Songs That Remind Me Of You in 2008, quickly outgrew their American influences to establish themselves as one of the most engaging groups in the UK.

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Jesse Sykes & the Sweet Hereafter

Jesse Sykes is a Seattle-based singer-songwriter. Her backing band is The Sweet Hereafter, which features Phil Wandscher (late of Whiskeytown) on guitar. In 2002 they christened their "collective" Jesse Sykes & the Sweet Hereafter. Jesse Sykes (formerly Jesse Solomon) belonged to another band, Hominy, along with her former husband Jim Sykes, who played guitar. The band released a self-titled album in 1998 on the Ivy label.

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The Shants

The Shants are a band from Oakland, California that play slow, sweet country-influenced folk. The Shants' sound originates from the rural backgrounds of its members: from South Louisiana delta pines to the brusk plains of Wisconsin to the rolling hills of the Central California Coast. The band consists of Sam Tokheim (pedal steel guitar), Skip Allums (guitar, harmonica, vocals), Carver Cordes (bass, vocals), and Adam Burstein (drums).

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Heartless Bastards

The Heartless Bastards' story starts in Dayton, Ohio, where Wennerstrom found the name on a multiple choice video trivia game at a bar. As a songwriting teenager during a time when Guided by Voices and Brainiac were packing local bars and three of The Breeders were still in town, Wennerstrom used to sneak into clubs to check out the scene. "I would just see those people—my music heroes—hanging out at the bar like everyone else," she remembers. "I could see myself in them. It gave me inspiration to do my own thing."

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