noisecore | Musicosity

noisecore

Throats

"Throats don’t do sing-a-longs. They don’t do melodies. They don’t do harmonies. In fact, the young quintet barely do songs. Instead they prefer to carve acidic hardcore from riffs that do both razor speed and steamroller intensity and a rhythm section that rumbles like an exploding airliner." "Hardcore really does not get any more brittle or intense right now..." Hitting the stage like a knife to the jugular, they produce a rhythmically pounding, relentless set, which sweeps you away with them.

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CYBERNE

CYBERNE started off in Osaka, Japan Since 1999,
they have been developing their own vision of what they
call Japanese Aggressive Psycho-rhythm,
with influences ranging from Dazzling Killmen
and Melt Banana to Jesus Lizard and Zeni Geva. 3 demos so far, respectively in 2001, 2005 and 2009
brought them to a deal with SMD Records (Grey Daturas,
Metronome Charisma, Year of No Light...) which ended up
on a 3-way split with Nesseria and Mu-Neujohn and a

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Trap Them

Trap Them is a band from Salem, New Hampshire. They began as a side project for vocalist Ryan Mckenney (Backstabbers Inc.) and guitarist Brian Izzi (December Wolves). Since forming they have released two albums, Sleepwell Deconstructer and Seizures in Barren Praise, and three EPs, Cunt Heir to the Throne, Séance Prime and Split with Extreme Noise Terror. Anyone digging the 90's swedish deathsound from the Sunlight studio should have a go at this.

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Taipan

There are at least three artists with this name: 1) Australian Heavy Metal Band (1981 ~ Present) Taipan are a 3 piece from Melbourne that has helped pioneer Heavy metal in Australia.
Their first e.p Breakout, sold 10,000 copies in Europe and the band has a strong worldwide fan base.They reformed in 2007 to record Stonewitch and have another album Flamethrower that has just been released & will be available on itunes shortly.

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Blight

Sheets of wailing feedback wash over the proceedings unexpectedly mid-song. With the incessant, clanging industrial thud of Lansing as a soundtrack to their existence, the group was bound to sound industrial. Literally. Blight sounds like machinery set in motion. And appropriately, all the parts worked together in unison, a single unit moving forward. Punctuated only by the aforementioned wash of pure noise, or the electrified tones of Tesco's trumpet, the band was propelled by a single-minded purpose.

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