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Claudio Fiore

Claudio Fiore is a producer, writer and musician creating many styles of music. He has been a drummer for many years and now exclusively uses Roland V-Drums, ProMark sticks and Meinl percussion. The styles of music he produces are mostly electronic based including electronica, ambient, house, trance, chillout, dance, electro, lounge and downtempo but also funk, rock, pop and much more... Claudio has been releasing music since 2011 under the Sweet Sounds label and now under his own label Squirrel Sounds.

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Dirty South

Dirty South caught the technically transmitted disease of DJing long before he even owned his first set of turntables. He taught himself mixing skills on his NEC tape deck, utilising nothing more than its twin cassette players and a pause button to recreate the sounds of club DJing in the safety of his own bedroom. By the time he got his first decks at the start of the millennium he’d already honed the techniques ready to take on the world of his heroes. At the same time he was mastering the concept of DJing, Dirty South was also readying himself for a future in studio knob-twiddling.

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MADATO

Waste, dream box and nonsense. Madato is a young guy. He is not that kind of person you may imagine when you hear his stuff. Or maybe yes, he is. Like Naples is not definitely that kind of junk place you may consider if you walk along the streets and see waste everywhere. There is more to figure out beyond the things. Madato is still wondering what

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Northeast Party House

Northeast Party House are a six piece alternative dance rock band from
Melbourne, Australia. In early 2010 the band began playing warehouse parties and local venues and quickly gained a following based on their reputation for delivering
high energy live shows. A demo version of the band's track 'Dusk' gained blog attention and local airplay, eventually winning triple j's Unearthed competition and being invited to play at the Pyramid Rock Festival 2010.

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Polinski

Polinski is a new project for Paul Wolinski, programmer of 65daysofstatic. It's a return to his beat-driven sampling and synth days, trying to meld loud, scruffy, analogue fuzziness with sparkly melodies. Like the walls of sound made by Oneohtrix Point Never and Fuck Buttons with added beats, or the old school melodies of Underworld and Orbital coated in warm distortion. No matter how hard he tries (which isn't all that hard), he can't quite pull himself free of his preoccupation with massive blasts of noise and relentlessness that 65days specialise in.

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