60s garage | Musicosity

60s garage

The Tropics

In 1966 The Tropics won The International Battle of the Bands held at the famous McCormick Place in Chicago, IL. The Band took first place over more than 1000 bands, which included names as Chicago and Tommy James & The Shondells. Out of that came a recording contract with Columbia Records and the single "Take the Time," produced by Teo Macero, which made it to the top of the charts and got a "92" on Dick Clark's American Bandstand!

The Tropics on Last.fm.

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The Fugitives

There are multiple artists named The Fugitives: 1. Garage band who released their sole LP The Fugitives at Dave's Hideout in the summer of 1964. 2. The Fugitives, a combination of multi-talented Vancouver artists Mark Berube, Barbara Adler, and Brendan McLeod, have been classified under many guises: slam folk, folk hop, spoken word cabaret. Yet a common throughline is always their remarkable storytelling abilities.

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The Outsiders

There are several artists named The Outsiders (11 are mentioned here): (1) The Outsiders were a sixties beat band from Amsterdam, The Netherlands. Formed in 1960 as a neighbourhood band from Amsterdam East, The Outsiders became one of the most succesful Dutch groups of the 1960s. They made some lastingly great records and never recorded anyone else's material, with singer Wally Tax writing the lyrics and guitarist Ron Splinter the music for nearly all of the twelve 45s and three LPs they made.

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The Aardvarks

According to the Searchin' For Shakes database there are four garage groups called the The Aardvarks.
1) One of the three American groups that used the name were from Muskegon and released a few singles. Probably their most well-known numbers is the blazing garage-psych tune "I'm Higher Than I'm Down", included on many comps (most notably Pebbles Vol 11).
2) In the mid-1980's, a London group called The Aardvarks got together.

Read more about The Aardvarks on Last.fm.

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The Remains

In 1964, they took Boston by surprise. The line of fans stretching from Kenmore Square to Fenway Park meant only one thing: It was "Remains Night" at The Rathskeller. By New Years Day 1965, The Remains were signed to a major recording deal, playing to packed venues throughout New England. By the end of the 65' they had two regional hit singles on Epic Records and had performed for 14 million viewers on Ed Sullivan’s Christmas Show. In 1966, the group had two more regional hits, appeared on NBC TV's Hulaballoo, and garnered a coveted spot as opening act on The Beatles’ U.

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The Eyes

There are at least 3 bands sharing the name The Eyes. 1) In 1965 and 1966, the Eyes released a clutch of singles that stand up to the Who's work from the same era in their blend of extremely innovative guitar feedback/distortion and anthemic mod songwriting. "When the Night Falls," "The Immediate Pleasure," "I'm Rowed Out," "You're Too Much," and the dry "My Generation" satire "My Degeneration" are revered highly by British Invasion collectors. The bursts of electronic mayhem were quite advanced for the time, though like the Who they had hooks and harmonies to counterpoint the madness.

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The Triumphs

The Triumphs, an instrumental precursor group to Booker T & The MGswere assembled in 1961 by producer/songwriter Chips Moman in Memphis TN. He recorded recorded them at Stax headquarters in the old Capitol Theater on McLemore Avenue. They were the first release for the Volt label. and they were also apparently the first inter-racial group in the then segregated city. Joining Moman on guitar duties was Booker T Jones on Hammond organ, Lewie Steinberg on bass and drummer Howard 'Bulldog' Grimes, who later would go on to anchor Hi-Records rhythm section.

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