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Bliss n Eso are an ARIA award winning Australian hip hop group based in Sydney, Australia and were originally known as Bliss n' Esoterikizm. They formed in 2000. From an early stage in their career, Bliss N Eso primarily built their fan base from their compelling and energetic live performances. An exhilarating blend of fluid rhymes and banging beats teamed with beat boxing, impromptu freestyling and seamless turntablism make their live shows a brand in their own right, and has seen the group hailed as one of the best live acts in the country.

Basement Birds is an Australian indie supergroup comprised of Kavyen Temperley (Eskimo Joe's frontman and bassist), Steve Parkin (solo singer/songwriter), Kevin Mitchell (musician) (Jebediah, Bob Evans frontman) and solo singer/songwriter Josh Pyke. The groups' mutual love of lush vocal harmonies and alt-country style was the basis for forming the Basement Birds project. "Luckily we all seem to have fairly similar tastes in music, I think it'd be harder if we had someone who was into death metal and another into jazz fusion.

The story of Big Scary begins in 2006, when Melbourne duo Tom Iansek and Jo Syme, armed with just acoustic guitars and egg shakers, started playing songs together in the living room of Jo’s parents’ house. After a bit of a break, the two reconvened in 2008, this time with more instruments—electric guitars, drums, piano, mandolins and ukuleles—and a bolder, more expansive vision. What began as a few rainy day acoustic ballads in their first incarnation soon grew into an all-encompassing, genre-defying sound.

Melbourne-based Laura Jean has been gracing Australian stages for many years. Invitations to share them have come from overseas artists such as Mark Kozelek (ex-Red House Painters) Richard Buckner, M. Ward, Faun Fables, Tuck and Patti, and Australian acts like Augie March, Ben Lee, Claire Bowditch, Machine Translations, Gaslight Radio, and Sarah Blasko. Her first E.P, 'The Hunter's Ode' (2003) was embraced by community radio and street press across the country, as well as Triple J. The title track is apparently still sometimes heard late at night.