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Go Genre Everything

Go Genre Everything are complex Sonic Experiment voicing a myriad of enviroments, traversing and exploring function and situation, form, void and meaning. They offer an annual subscription, which provides you with access to their entire digital catalogue of music. http://licensd.com/?p=465 Designed within a utilitarian sensorial intertalk mode, go genre everything form a multidimensional fluidic high energy organic network with mechanical interfacing devices, tenderly electrocuting neurons within human brains.

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The Blue Orchids

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The Blue Orchids were formed in 1979 in Manchester, England by Martin Bramah and Una Baines, both formerly of The Fall. They were joined by Rick Goldstraw, guitar, Steve Toyne on bass and Joe Kin on drums. With this line up, they recorded the singles "The Flood" and "Work" for rough trade records.
The group underwent a series of personnel changes before the release of their album "The Greatest Hit (Money Mountain" (1981), which faetured Bramah, Baines (keyboards), Goldstraw (now on bass) and Toby Toman on drums. This line up also released an ep, "Agents of Change" in 1982.

Read more about The Blue Orchids on Last.fm.

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The Stingrays

At least three bands have called themselves The Stingrays 1)Power-pop/punk band from the UK that formed in 1977, released a a three song EP in 1980 on Fried Egg records, a single, and a song on the Avon Calling compilation out of Bristol, UK. A live album came out some time later. Russ Mainwaring seems to have been the only constant member. Stingrays Line up 1:
Russ Mainwaring - Guitar
Bill Stair - Bass
Pete Thelke - Vocals
Dean Sidney - Drums This line up is heard on the album The Stingrays at the Dugout (1977): The Sound of Two Hands Clapping..

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The Dadds

Formés en 2002, les Dadds pratiquent un rock garage férocement 60's dans lequel se mélangent voluptueusement le groove du rhythm' n' blues anglais, l'efficacité mélodique de la pop éternelle et l'énergie du punk originel. Les chansons "So Frenchy" de nos cinq élégants modernes laissent également transparaître l'influence plus contemporaine du rock indépendant de ces dernières décennies.

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The Remains

In 1964, they took Boston by surprise. The line of fans stretching from Kenmore Square to Fenway Park meant only one thing: It was "Remains Night" at The Rathskeller. By New Years Day 1965, The Remains were signed to a major recording deal, playing to packed venues throughout New England. By the end of the 65' they had two regional hit singles on Epic Records and had performed for 14 million viewers on Ed Sullivan’s Christmas Show. In 1966, the group had two more regional hits, appeared on NBC TV's Hulaballoo, and garnered a coveted spot as opening act on The Beatles’ U.

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the feelers

There are two bands calling themselves 'The Feelers.' The more established act is a New Zealand Rock band formed in the early 1990s in Christchurch by James Reid (singer/guitarist), Andy Lynch (lead guitar) Matt Short (Bass) and Hamish Gee (Drums). The Feelers got a record deal with Warner Music and released their first album, SuperSystem, in 1998. It was the second biggest selling album in New Zealand that year.

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The Coathangers

The Coathangers are a rock band from Atlanta, Georgia. They are: The Crook Kid Coathanger: Vocals, guitar, tamborine; Minnie Coathanger: Vocals, bass, tamborine; Rusty Coathanger: Vocals, drums; Bebe Coathanger: Vocals, keys. The band formed in 2006 as a joke, played a house show and were asked to open for The Hiss on the strength of their performance. The name was chosen for its vulgarity - an irreverent take on abortions - though all band members are pro-choice.

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The Federals

"If this evil narco drone rock don't get you off, brothers and sisters, nothing will." (Paul Lowman, The Talk Magazine) Exploding out of the soulless back streets of York, The Federals bring a vitality, urgency and immediacy to the music scene. Fast and furious, these four angry youths are putting the rage into garage with an arsenal of spiky potential rock n' roll classics. "Proper attitude, all black-clad, no smiles, chopping out each three minute snarl and ripping on to the next one. Great stuff indeed." (Sandman Magazine)

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