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Ozomatli

Ozomatli is a hip-hop group formed in 1996 in Los Angeles, known as much for their extremely vocal activist viewpoints as their wide array of musical styles. Ozomatli take their name from the Nahuatl word for the Aztec astrological symbol of the monkey, which is also a god of dance, fire, the new harvest, and music. The members of the band met through their affiliation with the Peace and Justice Center of Los Angeles, and their first performance was for picketers during a strike. They began their career in the Los Angeles and San Diego/Mexico border-area club scene.

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Dead Combo

They play Lisbon, the city of the countryside, chimneys and white domes, sceneries of a lost past, the fado, the loiter western, all together in a voodoo of emotions, the Tagus river, misplaced lovers, abandoned angels in the crossroads of destiny, flowers with misplaced colours, saints, burning hot chambers, naked guitars, thrown on the street, double basses on fire, top hats, chickens on the loose and things that roll on the street.

Read more about Dead Combo on Last.fm.

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Molotov

Molotov is a Mexican rock and hip hop band formed on September 23, 1995 in Mexico City. Their lyrics feature a mixture of Spanish and English, rapped and sung by all members of the group. Musically, Molotov blends heavy basslines, flamenco guitar riffs and turntable scratches. Molotov is often regarded the Latin response to Rage Against the Machine. Many songs, such as "Gimme Tha Power" and "Frijolero", are politically inspired.

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Helado Negro

The son of Ecuadorean immigrants, Roberto Carlos Lange was born in South Florida in 1980. His childhood was suffused with tropical heat, humidity, hurricanes, all refracted with the rich sounds and colors of the various Latin American cultures of southern Florida. Pounding bass beats from passing cars, boom boxes bouncing down the block, and late-night parties called "peñas" provided a foundation for Lange’s interest in sound and lifelong quest to discover the unlimited variety of objects used to produce music.

Read more about Helado Negro on Last.fm.

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Antonio Sanchez

Few young musicians have enough juice to attract both pianist Chick Corea and guitarist Pat Metheny to their debut release. Drummer Antonio Sanchez shows how with extraordinary artistry combined with exceptional technique on Migration (2007). Saxophonists Chris Potter and David Sanchez can unquestionably blow bop and, along with bassist Scott Colley, they supply the necessary musicianship and creativity that nails this session. Sanchez has been Metheny's drummer of choice for several years and Colley is likewise not new to this rarefied air having extensive ties to guitarist Jim Hall.

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The Bongolian

While still writing and performing with Big Boss Man, multi-instrumentalist Nasser Bouzida, (or just Nass to you and me), disappeared into the studio to create a brand new sound in the name of his new alter ego The Bongolian. As The Bongolian, Nasser takes us on a solo musical journey through heavy Funk and Latin Soul writing, performing and recording all the material himself in the process. And for a young man whoseprincipal interests are drums and percussion being The Bongolian makes a whole lotta sense.

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Chancha Via Circuito

Chancha Vía Circuito ("Pig on the Circular Train") is the alter-ego of Pedro Canale, a digi-cumbia DJ and producer based in Buenos Aires, Argentina. His debut LP, Rodante, was released in Fall 2008 by ZZK Records. It includes remixes and collaborations with a wide variety of artists (Jahdan, Princesa, Rancho MC, Poeta Inka, and Kumbha Kethu). In 2010 he released a mixtape, Río Arriba, to much critical acclaim.

Read more about Chancha Via Circuito on Last.fm.

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Diego Torres

Diego Antonio Caccia Torres (born March 9, 1971 in Buenos Aires, Argentina) is an Argentine pop singer and composer. He launched his first album, "Diego Torres", produced by Cachorro López. This album was rewarded 3 times platinum. Two years later, and a little distant from TV, he launched his second album called "Tratar de estar mejor" which received 5 platinum albums in Argentina and gold and platinum albums in other Latin American countries. This album launched Torres to the international scene.