underground hiphop | Musicosity

Artifacts

There are two artists known as Artifacts:
1. The Artifacts, a hip hop duo
2. Artifacts, a hardcore punk band 1.) The Artifacts were a throwback hip-hop duo from Newark, NJ. Their music reflected and emphasized three of the four elements of true hip-hop culture: MCing, DJing, and their specialty, graffiti writing or “bombing”; both Tame One and El Da Sensei are proficient at all three. With unique styles that play off each other well, Tame and El’s graff-rap was well received by underground audiences and continued in the Jersey rap tradition of Redman and Lords of the Underground.

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investigate hip hop n

rockeN rOLL :

good rappers

jerz

nu-bluz funky grooves in the e-lounge

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Norman

There are at least four bands and one dj with the name Norman: Norman is a band defined by its surroundings: the green, lush, and often soggy landscapes of Oregon’s Willamette Valley. An aesthetic layered with fields and farms, trees and hills, the valley is sandwiched between two mountain ranges and extends North to Portland, Oregon. Norman’s sophomore full-length, Hay, Hay, Make a Wish and Turn Away conjures images of a flatbed pickup rambling down a dusty country road on a warm Summer evening.

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Del Tha Funkee Homosapien

Del the Funky Homosapien is an alternative hip-hop artist. Del was born Teren Delvon Jones, August 12, 1972, in Oakland, California. Del was part of his cousin Ice Cube’s backing band Da Lench Mob and made his first solo album, I Wish My Brother George Was Here, with support from his cousin in 1991. Critics and fans had mixed opinions about the album, many feeling that Del’s and Cube’s styles weren't an ideal match.

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del tha funkee homosapien

Del the Funkee Homosapien

wondrous soundbeads for our delicate ears

genius

beats

Bands I have seen live

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Celph Titled

The over-the-top, bazooka wielding action star of hip hop, charismatic Floridian word master Celph Titled began his professional entrance into the rap game as a teenage lyricist and local production staple during the late 90's indie 12-inch vinyl boom. Being a member of, and producing for, a number of boundary-pushing Tampa rap crews at the time, he networked heavily to take his music worldwide and began contributing beats and rhymes to a non-stop tirade of vinyl singles during a time when the 12-inch single market was key in building a cult fan base.

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