electro bass | Musicosity

Bass Junkie

U.K.-based producer Phil Klein releases Miami bass-inflected new school electro under his Bass Junkie aegis. Appearing most recently on the Breakin' Records label and on his own Parallax imprint, Klein's Bass Junkie material draws liberally from classics of electro-funk and bass music -- from Freestyle's "It's Automatic" and Unknown DJ's "808 Beats" to Maggotron's "Planet of Bass" -- combining truckloads of samples with crisp, uptempo rhythms and, naturally, the deepest of bone-rattling bass. Although his discography includes a number of tracks released as Battle Systems, I.

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DJ Guy

There are 2 artists using the DJ Guy title: 1. London-based booty DJ and producer. DJ Guy is Europe’s leading booty turntablist and runs the Global Fire record label. Greatly influenced by Detroit ghettotech DJs such as DJ Godfather, DJ Assault and the late Disco D, he’s known for his fun quick-fire mixing and genre-crossing sets. Previous part of Non Stop DJs, he also records baltimore club-influenced tracks as Dikulous. More information at the official Global Fire / DJ Guy site.

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Paul Blackford

Paul Blackford grew up in the early nineties at the peak of the Rave/Acid House era. His first EP entitled '1991' was released in February 2003 on Breakin' Records and became and instant UK Bass anthem. Paul has released further material on Breakin’, Baselogic, WIDE, Audio Aubergine, Digital Distortions and also library music for television on BMG Zomba. Heavily inspired by early Rave and Detroit Electro, his first release on Breakin' Records in 2003 was described as a pioneering UK take on the Detroit Techno Bass sound.

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Info_Cifon

nfo_Cifon produces and composes Electro with abstract arrangements, pointing to a diverse range of influences. These are highlighted by an amalgam of styles, manifesting as angular, layered tones and rhythms, composed to have maximum impact in any environment. Characteristically Info_Cifon's arrangements are constructed from Modular foundations then built up with other forms of synthesis and distinctive programming techniques. Fundamentally, the various styles are tonal metaphors of a disdain for global institutions, govenments and diplomats with their own vested interests.