psychedelic | Musicosity

psychedelic

Rote Mare

Adelaide, Australia (2005-Present) Australian 4 piece Traditional DOOM metal band influenced by Celtic Frost, Trouble, Black Sabbath and many more. Started off as Phil Howlett's one man band before expanding in 2009 to a four piece. Current Lineup: Phil Howlett- Guitar & Vocal
Sean Wiskin- Lead Guitar
Ben Dodunski- Drums
Jess Erceg- Bass

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Neon Indian

An elusive new project from composer Alan Palomo from Vega. Forged after a hazy winter gathering in Texas, this initial batch of tracks were the result of field recordings, record samples, a collection of bizarre synth sounds. Soliciting the visual acrobatics of video artist Alicia Scardetta, this project is setting out to be a multimedia maelstrom. Psychic Chasms is set to be released on October 13th, 2009 on Lefse Records

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Macrocosm

First formed back in the 1990s, UK based artist "Macrocosm" (Mike Letchford) started life producing ambient music, but moved into experimental "intelligent" dance music and a period of drum and bass. Featured as "demo of the month" in April 1996 edition of Future Music magazine (with the song "Choral Reefer", he joined the label Protean Vision Quest in 1997 (along with artists like Gnomadic) supplying music for the "Ancient Alien" video, and regularly performing in Brighton and as part of a UK "Ambisonix 3D Sound" tour (along with the band Quanta).

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Plankton Wat

Plankton Wat is the solo sound world of Dewey Mahood, founding guitarist of Eternal Tapestry. Playing modern guitar soli inspired by the tradition of Fahey and Basho, and contemporary players Richard Bishop and Makoto Kawabata. Beginning as a home recording project in 2001, Mahood has slowly built a collection of highly personal music that has filtered out into the underground via tape labels such as Stunned, Digitalis, and Sloow.

Read more about Plankton Wat on Last.fm.

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world's end girlfriend

World's End Girlfriend is a Japanese composer whose work blends complex sound structures with beautiful melodies, reaching from electronic glitch to jazz-infused rock to modern classical. Captivating, enthralling and like nothing you’ve heard before, WEG makes for a surprising yet central addition to London contemporary music label Erased Tapes. His brand new album ‘SEVEN IDIOTS’ will finally be released outside of Japan this April.

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U.S. Girls

If the alluring moniker used by Megan Remy conjures images of volleyball teams or cheerleading squads, forget it. Not that there's any doubt that Remy--sorry, U.S. Girls--couldn't rise and conquer either challenge. Like fellow DIY ingenues Sally Strobelight and Inca Ore, U.S. Girls' approach is deceptively ethereal and delightfully haunting; lithe, lysergic gamma rays of keyboard murk beamed over percussive bonk sort of resemble Diamanda Galas reinterpreting Suicide's Red Star.

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Procol Harum

Procol Harum's claim to fame is 'A Whiter Shade Of Pale', a huge hit in 1967. They differ from most of the progressive rock bands of the 70s in the relatively prominent blues component to their sound, which is largely due to the voice and piano of leader Gary Brooker. In the early years, Matthew Fisher's organ and Robin Trower's guitar combined for a unique sound. Procol Harum (formed 1967, London, England) is arguably the most successful "accidental" group creation -- that is...

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Silent Scream

There was more than one band named Silent Scream. One of them was a hardcore band from Milwaukee, Wisconsin that was around from about 1987 to about 1989. More info: http://milwaukeehardcore.net/milwhc/MilwHC:Bands:SilentScream. The other was a California based death/thrash band featuring the following:
#3 Demo(1991) and From The Darkest Depths Of The Imagination(1992) which was produced by Gene Hoglan. The band has 2 pages up at MySpace. The official bands URL is: http://www.myspace.com/silentscreamusa and the fan page is http://www.myspace.com/matrixofmadness

Read more about Silent Scream on Last.fm.

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Stellar Om Source

Stellar OM Source is the solo project of the restless artist Christelle Gualdi.
Ambulant celestial creature for the caucasian world, in search of metaphysical cosmic revelations, of the transcendental purification and the perfectioning of the ritualistic methodism. The progression and regression of her music exist as an organic and humanistic wave to the synthesizer, as opposed to the more static and lifeless synth that comes without virtuosity. Her sounds can be related to Terry Riley or Alice Coltrane, as far as the era that her sounds represent.

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