There are two bands named Archivist. One [1] from Montreal (long live Marie-Joseph Angélique) and one [2] from Belgium (long live King Leopold III). (1) It has become a common place to credit the deathly cold of Montreal’s lengthy winter season for the hot-chronology of creative outpour that has entered the global music scene from Canada’s tiny heart-shaped island. Archivist’s debut release Learning to Live on Poison, does not present an exception to this particular rule, though it will inevitably be accused of challenging a great many others.
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