Avant-Garde | Musicosity

Avant-Garde

Ordo Rosarius Equilibrio

Ordo Rosarius Equilibrio rose from the ashes of Archon Satani in May 1993 as founding member Tomas Pettersson apperceived the desire to canalize his remaining creativity through the aesthetic portrayal of the undivided spiritual and intellectual kinship between Light and Dark, Life and Death, Male and Female, Love and Hate, Beauty and Depravity, War and Peace

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Drottnar

Norwegian , self-described as "Bunker Metal".

Drottnar is bizarre; orthodox bedlam skillfully crafted through cutting- edge unorthodoxy. The totality of the concept compels beyond what trends or external preferences will ever decide. Conceived through a series of deeply vested intentions and ideals, Drottnar was proudly established in 1997. The bandmembers' previous relationship to death metal evolved in patterns of fierceness, slightly changing into a more extreme taste.

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Leon Thomas

Amos Leon Thomas Jr (born 1937, died May 8, 1999) was an American avant garde jazz singer from East St. Louis, Illinois. He changed his name to Leone in 1974. Thomas is best known for his work with Pharoah Sanders, particularly the 1969 song "The Creator Has a Master Plan" from Sanders' Karma album. Thomas's most distinctive device was that he often broke out into yodeling in the middle of a vocal. This style has influenced singers James Moody and Tim Buckley,among others.

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Archie Shepp

Archie Shepp is an American jazz saxophonist, poet, and playwright long known for the outspoken political tones in his work. Shepp was born in Fort Lauderdale, Florida, on May 24th, 1937, but raised in Philadelphia, Pennsylvania, where he studied piano, clarinet and alto saxophone before focusing on tenor saxophone (he occasionally plays soprano saxophone). He is best known for his passionately afrocentric music of the late sixties which focused on highlighting the injustices faced by people of African descent.

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Coockoo

Coockoo is a young and eccentric, alternative rock band, based in Moscow. Internet success in January 2009 with their provocative single; Groupies’ Anthem (F.U.C.K) brought instant popularity within the Russian underground music scene. During the proceeding year they have built on this success playing regularly at some of the finest music venues in Moscow. The year has continued positively with rotations on national radio and performances being screened on Russian Music TV channels.

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