Doom | Musicosity

The Foreshadowing

The Foreshadowing rushed themselves into the abyss of the world in the fall of 2005. The idea takes its origins away back in 1997 by a load of necropolitan fragments of music picked up by Alessandro Pace (aka Alex Vega with Dope Stars Inc., ex Klimt 1918 & Spiritual Front), founder of the band. His friends Andrea Chiodetti (guitar player of Grimness and ex Spiritual Front) and Francesco Sosto (keyboard player, ex Spiritual Front and Klimt 1918 sessionman) joined him soon.

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Crude

There are 3 groups with the name Crude: 1. Japanese hardcore band from Hakodate City, who formed in the mid 90's. 2. Early 80s American punk band formed in Albany, New York. 3. An experimental/outsider/electronic act from New Zealand.
Music can be found on Last fm here: matt middleton / crude.

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Winters

In the history of heavy rock and roll, the greatest line-up is the three piece power trio. Think of bands from The Groundhogs, to classic Motorhead, from Cream or The Jimi Hendrix Experience, to Sebadoh and Nirvana. There’s something about the structure, the economy, the mutual support of that three piece guitar, bass and drums line-up that makes everything possible. Winters are in that classic rock tradition: an undeniably heavy band but one rooted as much in the pop art tradition of post-mod rock rather than traditional heavy metal.

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Traditional Doom Metal

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13 & God

13 & God is an indie hip-hop collective created in 2004 as a collaboration between the members of the groups Themselves and The Notwist. 13 & God's style of music has been called "dubby glitch pop", and is a blend of many previously separate styles of music. The members of 13 & God are: * Adam Drucker (Doseone), Jeffery Logan (Jel), and Dax Pierson (collectively Themselves)
* Markus Acher, Micha Acher, and Martin Gretschmann (from The Notwist).

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Cleric

There is more than one artist under the name of Cleric 1.) A four piece from Philadelphia, Cleric's music mixes elements of grindcore, avant garde composition, doom and... something else entirely? Influenced by other metal pioneers such as Meshuggah, Converge, Fantômas, and Neurosis, their music zeroes in on a level of brutality and experimentation that a single band rarely maintains even for a few seconds.

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The Wizar'd

The Wizar'd is Doom Metal band from Australia (Hobart, Tasmania) formed in 2004. No Swing. No Groove. Get Fucked. Band Members:
~ Ol' Rusty Vintage Wizard Master (Vocals / Guitar)
~ Blackie the Crimson Heretic of a Thousand Eyes (Guitar)
~ Angie Liebling (Bass)
~ Iron Tyrant (Drums) Discography:
~ LIVE WITCHERYVENOMETAL - Doom Metal Horror (Demo) 2004
~ Worship Me! (Demo) 2005
~ Horned Lord (Single) 2005
~ Follow the Wizard (EP) 2006 Rusty Axe Records

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doom metal

Traditional Doom Metal

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Serpentcult

Serpentcult, a band featuring former members of Thee Plague of Gentlemen and Welkin, has a deal with Sweden's I Hate Records. Cozy (drums)
Steven (bass)
Fred (guitar)
Michelle (vocals) They have a doom metal sound comparable to that of Thee Plague Of Gentlemen, but with clean female vocals, managing to retain an original style.

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Sludge

Traditional Doom Metal

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Black Rainbows

Black Rainbows Formed in 2005. They Started as a joke to have fun with some heavy psychedelic, stoner, desert tunes. But after recording their first full length “Twilight in the Desert” they were picked up from Longfellow Deeds Records (a French Rock Label site in Paris). In these years, they continue to smarten up their sound with a dozen live shows, sharing the stage with many cool bands; like Dead Meadow, Black Mountain, Los Natas, Witchcraft,White Hills, Michael Davis from MC5, Vic Du Monte’s Persona Non Grata and Alfredo Hernandez from Kyuss.

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Birds

There are two artists called Birds. 1. BIRDS - An upcoming trashwave band from Brisbane, Australia. 2. Birds - Seattle's Demetri Carlson.

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Stitched Vision

Stitched Vision is the project of Jason Campbell, formed in 2009, once global roamer now fringe-dwelling citizen of Newcastle, New South Wales, Australia. His pedal-heavy synthscapes are neither nostalgic nor futuristic, but rather channel the current plight of his city of residence, unfolding as explorations of urban decay and cultural regeneration. Understated melodies sheathed in white noise - pitting the organic against the industrial - mark Campbell's work and come to symbolise Newcastle